* * * * *
Without thinking, he moved a switch. Why? Because it was _right_ to
move that switch. When a certain light flared green, a certain switch
had to be thrown. Why? Well, when a certain light flared green, a
certain switch--
He abandoned that problem. Never mind why; what the devil was going
_on_?
Glenn Tropile squinted about him like a mollusc peering out of its
shell. There was another fact, the oddness of the seeing. What makes it
look so queer, he asked himself.
He found an answer, but it required some time to take it in. He was
seeing in a strange perspective. One looks out of two eyes. Close one
eye and the world is flat. Open it again and there is a stereoscopic
double; the saliencies of the picture leap forward, the background
retreats.
So with the lights on the board--no, not exactly; but something _like_
that, he thought. It was as though--he squinted and strained--well, as
though he had never really _seen_ before. As though for all his life he
had had only one eye, and now he had strangely been given two.
His visual perception of the board was _total_. He could see all of it
at once. It had no "front" or "back." It was in the round. The natural
thinking of it was without orientation. He engulfed and comprehended
it as a unit. It had no secrets of shadow or silhouette.
I think, Tropile mouthed slowly to himself, that I'm going crazy.
But that was no explanation, either. Mere insanity didn't account for
what he saw.
Then, he asked himself, was he in a state that was _beyond_ Nirvana? He
remembered, with an odd flash of guilt, that he had been Meditating,
watching the stages of boiling water. All right, perhaps he had been
Translated. But what was this, then? Were the Meditators wrong in
teaching that Nirvana was the end--and yet righter than the Wolves,
who dismissed Meditation as a phenomenon wholly inside the skull and
refused to discuss Translation at all?
That was a question for which he could find nothing approaching an
answer. He turned away from it and looked at his hands.
He could see them, too, in the round, he noted. He could see every
wrinkle and pore in all sixteen of them....
_Sixteen hands!_
* * * * *
That was the other moment when sanity might have gone. He closed his
eyes. (Sixteen eyes! No wonder the total perception!) And, after a
while, he opened them again.
The hands were there. All sixteen of them.
Cautiously, Tropile selected a finger that seemed familiar in his
memory. After a moment's thought, he flexed it. It bent. He selected
another. Another--on a different hand this time.
He could use any or all of the sixteen hands. They were all his, all
sixteen of them.
I appear, thought Tropile crazily, to be a sort of eight-branched
snowflake. Each of my branches is a human body.
He stirred, and added another datum: I appear also to be in a tank of
fluid and yet I do not drown.
Public-domain text, read in full here on John Shaqi.
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