Proud of having associated with a man who had achieved such greatness, I now recalled our early intimacy with tenfold pleasure, and sought to revisit the scenes we had trodden together. The most important of these was the mansion of the Van Tassels, the Roost of the unfortunate Wolfert. Time, which changes all things, is but slow in its operations upon a Dutchman's dwelling. I found the venerable and quaint little edifice much as I had seen it during the sojourn of Diedrich. There stood his elbow-chair in the corner of the room he had occupied; the old-fashioned Dutch writing-desk at which he had pored over the chronicles of the Manhattoes; there was the old wooden chest, with the archives left by Wolfert Acker, many of which, however, had been fired off as wadding from the long duck gun of the Van Tassels. The scene around the mansion was still the same; the green bank; the spring beside which I had listened to the legendary narratives of the historian; the wild brook babbling down to the woody cove, and the overshadowing locust trees, half shutting out the prospect of the great Tappan Zee. As I looked round upon the scene, my heart yearned at the recollection of my departed friend, and I wistfully eyed the mansion which he had inhabited, and which was fast mouldering to decay. The thought struck me to arrest the desolating hand of Time; to rescue the historic pile from utter ruin, and to make it the closing scene of my wanderings; a quiet home, where I might enjoy "lust in rust" for the remainder of my days. It is true, the fate of the unlucky Wolfert passed across my mind; but I consoled myself with the reflection that I was a bachelor, and that I had no termagant wife to dispute the sovereignty of the Roost with me. I have become possessor of the Roost! I have repaired and renovated it with religious care, in the genuine Dutch style, and have adorned and illustrated it with sundry reliques of the glorious days of the New Netherlands. A venerable weathercock, of portly Dutch dimensions, which once battled with the wind on the top of the Stadt-House of New Amsterdam, in the time of Peter Stuyvesant, now erects its crest on the gable end of my edifice; a gilded horse in full gallop, once the weathercock of the great Vander Heyden Palace of Albany, now glitters in the sunshine, and veers with every breeze, on the peaked turret over my portal; my sanctum sanctorum is the chamber once honored by the illustrious Diedrich, and it is from his elbow-chair, and his identical old Dutch writing-desk, that I pen this rambling epistle. Here, then, have I set up my rest, surrounded by the recollections of early days, and the mementoes of the historian of the Manhattoes, with that glorious river before me, which flows with such majesty through his works, and which has ever been to me a river of delight.