Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
"He is one and the same. He was changed for a few months; but to-day he
is what he used to be, and what he will be always--the artist who loves
you and longs for you. Dora, what have you to say in reply?"
"My head burns so, dear friend, spare me now. We will talk again ... but
by and by."
A knock was heard at the door. "Oh, would you mind seeing who that
is?--I am not expecting anyone," said Dora.
Dora threw an anxious look towards the door.
Lorimer went and opened it.
The visitor was no other than our old friend, Sir Benjamin Pond, City
alderman and patron of arts in his spare moments.
He evidently expected to find himself in a hall or anteroom, instead of
straightway standing in a studio in the presence of Dora and Lorimer. He
was seized with a little fit of timidity, which he had difficulty in
mastering, and which made him awkward in the extreme.
He removed his hat and stood turning it in his hands. Regaining his
equilibrium, after a moment, he advanced respectfully towards Dora,
without venturing, however, to hold out his hand.
"My dear Mrs. Grantham--Mr. Lorimer, how do you do?"
Dora and Lorimer bowed distantly without speaking, and seemed to wait
for him to explain the object of his visit. The worthy man wished
himself under the floor.
"I came," he said, stammering, "I came--that is to say, it's just
this--I only heard yesterday of your removal here, quite by accident,
and I also heard that you had with you the picture that I so much wanted
to purchase last year. Ah, there it is, I see. You observe I have not
lost all hope of possessing it, that picture which" ...
Dora and Lorimer looked at Sir Benjamin without uttering a word, and the
poor man grew more and more embarrassed.
"Well," he went on, "I have come to beg you to sell it to me. That is
why I came early--to be sure to find you in. I do not, my dear madam,
wish to profit by the regrettable circumstances in which you find
yourself placed, to offer you a low price, or to bargain for the
picture, believe me. No, no, I have too much respect for you, too much
admiration for the painter. I wish to behave honourably over the matter,
and deal generously, as a gentleman should."
He would have given hundreds of pounds to be leagues away from this
studio that he had pushed his way into.
"I will willingly give you," added he, "five hundred pounds for the
picture. What do you say to the offer?"
Dora and Lorimer did not open their lips. Their eyes never quitted those
of the alderman. Lorimer moved back a little to a more retired post of
observation: the scene began to interest him keenly. To Dora five
hundred pounds was a small fortune. Would she sell the canvas? By
withdrawing a little, he placed her more at her ease, left her free to
decide according to the dictates of her heart, while, as I said before,
he himself obtained a better view of the little comedy that was being
enacted before him.
Public-domain text, read in full here on John Shaqi.
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