Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
"I should like to gain the world, to lay it at the feet of this woman,"
said he, standing before the portrait a moment. Philip felt more and
more agitated. Lorimer looked at him fixedly.
"Why, old fellow, what on earth is the matter with you?"
"My dear Lorimer," answered Philip, who could conceal his feelings no
longer, "you see me to-day in an indescribable state of excitement. In a
few moments, I may hear that I am a rich man."
"You don't say so," said Lorimer, amazed; "an old uncle about to depart
this life?"
"No," said Philip; "my work, my very own work is perhaps on the point of
making me wealthy. For months past, night and day so to speak, I have
been working" ...
"At a great picture," interrupted Lorimer.
"At an invention."
"Nonsense! take care. You will die in the workhouse."
"Not at all, old fellow," said Philip; "there are two kinds of
inventors, those who seek and those who discover. I have discovered."
"What have you discovered, dear friend?" said Lorimer, more and more
surprised.
"A shell that may revolutionise the art of warfare. A Special Commission
is now sitting at the War Office in Paris, to discuss its merits. I am
awaiting their decision. I shall get a telegram to-day, perhaps in a few
moments. I offered my shell to the English Government, but they declined
it."
"Are you speaking seriously?"
"Do I look as if I were joking? Can't you see, man, I'm in such a fever
of impatience, that I can't hold a brush, my hand is trembling so? I
have neither the courage nor the strength to finish this portrait, which
only requires about an hour's work. But not a word to Dora on the
subject; she knows nothing about it yet, and never will, if the affair
falls through."
A violent ringing was heard at the studio bell.
"There," said Philip, "that is it perhaps ... the telegram at last." And
he ran to open the door himself.
He returned accompanied by a big man, pompous and shiny, who entered the
studio with a majestic step. Bald, chubby-faced, with a huge nose that
divided his face in two, as the Apennines divide Italy, and two large
round eyes set lobster-fashion, he was, with his huge white waistcoat, a
fair example of a certain type of city merchant, in all his glory. This
pretentious personage cast a look into every corner of the studio.
"Plague take the bore," said Philip to Lorimer.
"I'll be off," said Lorimer.
"Oh no, please stay. Sir Benjamin Pond's visit won't last long."
"Ah, ah," said the big City alderman; "you received my note, in which I
announced my visit?"
Philip made a sign in the affirmative. Sir Benjamin placed his hat on a
table and, rubbing his hands, threw a condescending glance at Philip,
which seemed to say, "You ought to be proud to have a visit from me." He
took stock of the furniture in detail.
Public-domain text, read in full here on John Shaqi.
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