Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
The house was furnished with great taste; everything spoke of that
comfort which the English value before luxury. A thousand and one little
details told of an artistic woman's hand reigning supreme in the little
domain, and one left the house feeling, "these people are happy and
evidently well-off; there may be artists who vegetate, but Philip
Grantham is not one of them." The garden was admirably kept, the lawn
smooth and soft as a Turkey carpet to the foot; and when the sun
filtered through the trees to the grass, you could imagine yourself in
the depths of the country, instead of near the centre of a great city.
The studio was a favourite room of the Granthams. Loving care had been
expended upon it, and the result was a worker's paradise that invited to
lofty labours and cosy conversation. Dora Grantham was her husband's
comrade in art, and all the leisure that was hers, after seeing well to
her household, was spent at Philip's side. The studio was more than
comfortable--it was even luxurious, with its beautiful Renaissance
mantelpiece of carved oak, its rich oriental rugs and curtains and
hanging eastern lamps. All these gave an atmosphere of restful, dreamy
ease to the place; and the fresh flowers that in all seasons filled the
rare porcelain vases struck a note of gaiety among the sombreness of the
old oak furniture. A thousand curios from all the ends of the earth had
been accumulated in this beloved apartment, and here, too, stood Dora's
Pleyel piano and Philip's bookcase of precious volumes on art, all
richly bound. A huge screen, gay with eastern embroideries, hid the door
that opened into the road; and in this veritable nest, nothing reminded
of a hustling and bustling world outside. In summer, through the open
door that led into the garden, one got a delicious vista of green
foliage and turf.
In the centre of the studio stood two easels of almost equal size, and
when I have told you that at these two easels, placed side by side,
quite near each other, worked Philip and Dora, you will rightly
understand that this studio had not been so fitted up to serve as a mere
workshop, but that all its details had been suggested by the love of two
kindred artistic spirits, who adored each other and passed most of their
time there in loving rivalry and mutual encouragement.
Public-domain text, read in full here on John Shaqi.
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