Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
He knew that 50 Elm Avenue was still unlet, and he went next day to see
his former landlord. The house was not only to be let, it was for sale.
The price asked was three thousand pounds. Philip had nearly four
thousand in bank. He accepted without hesitation, and the bargain was
sealed on the spot. His lawyer attended to the details of the purchase.
Philip had the place painted and papered from top to bottom, he disposed
of some superfluous furniture, and in about a month from the time of his
decision he was reinstalled in his old home. The furnishing was exactly
the same as before, perhaps a trifle richer. He had been very careful to
introduce no change into the studio. The only addition visible was the
portrait of the little Italian boy that Dora had painted, and that he
had secured by the help of the dealer, who, following Philip's
instructions, offered her twenty-five guineas for it.
He engaged fresh servants; not one of the former staff was retained. If
ever he should be granted the happiness of seeing Dora return to the
nest, he wanted to have there no witnesses of the Belgravian scenes to
recall her painful memories.
He set to work ardently and full of hope. Every day Hobbs came, unknown
to Dora, to bring him news of her mistress.
Hobbs had told Dora that No. 50 was let, then that it was inhabited, but
by Dr. Templeton's orders she did not divulge the name of the occupant.
Dora was sad to hear the news, but she merely said, "I am surprised that
it has been empty so long; it is such a pretty house, so convenient, so
quiet, so" ... She could go no further, her emotion was too strong.
Presently, with an effort to regain command over herself, she added,
"May that house be an abode of happiness to those who inhabit it!" Hobbs
was sorry to have spoken, and yet she was burning to say to Dora, "Why,
it is your husband who lives there, and who holds out his arms to you;
go and throw yourself into them." But she had promised to keep the
secret, and she did not break her word.
Dora did not gain strength so fast as her friends had hoped she would.
Excitement, will-power, and courage had stood her in good stead at the
start, but she had started too rapidly, and she had not the physical
strength to carry her far at the same pace. She had unfortunately
counted a little without herself. In this new existence, monotonous and
almost without aim, there was not enough to satisfy her lofty character,
her bright and energetic nature, which cried out for movement and an
intellectual life. She still boasted of enjoying the pleasures of
poverty and of preferring them to the others, but she was, in these
days, chiefly brought in contact with the dulness and the bareness of
poverty. Discouragement invaded her heart, she began to feel that she
was vegetating and not living. Her courage was forsaking her. Later
might come despair and a desire to have done with the world.
Public-domain text, read in full here on John Shaqi.
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