Woman : $b a vindicationLudovici, Anthony M. (Anthony Mario)
Philosophy
Woman : $b a vindication
Ludovici, Anthony M. (Anthony Mario)
Sex; Women
As a rule, mankind will listen patiently when it is told of the
material and not infrequently sordid animal background to some of its
dearest emotions; for, after all, it is only disturbed in its prudery
by such revelations. But proceed to tear away the tinsel of cant from
those activities, for instance, which are alleged to be humanitarian,
“unselfish,” or to belong to the class known as “self-sacrifice,” and
point out how all these activities themselves invariably arise from
purely egotistical emotions and desires, and mankind will immediately
become both incredulous and indignant. Why is this? Obviously because a
very large section of the population of the western world find the very
basis of their self-esteem in the activities enumerated. To show the
egotistical root of these activities, as Hobbes, Helvetius, Stendhal
and Nietzsche consistently did, is therefore to wound these people in
the very sanctuary of their vanity; and those against whom this kind
of violence is attempted nowadays usually retaliate with both rancour
and rage. Hence the determination with which writers like Hobbes,
Helvetius, Nietzsche and Stendhal are forgotten and ignored.
Over the writings of all these men there hangs a very pronounced and
unmistakable fragrance, which may be almost painful at the first
inhalation, and a certain atmosphere which has a noticeably low
temperature. Frequently this atmosphere is quite glacial, and produces
the distinctly unpleasant reaction of goose-skin in the reader’s mind.
Both in the ideas they present, and in their manner of presenting them,
these authors scorn to please. They all possess the same penetrating
insight into the psychology of man; they reveal what the French call
“_une psychologie fouillée_,” and their honesty is hampered by no
desire to fortify themselves or their fellows in their self-esteem.
Unlike Swift, however, it is certain that these men did not write
“to vex the world more than to divert it,” but because they realized
that certain falsifications of sentiment are dangerous and lead to
degeneration.
Now there is an instinctive inclination in every reader to identify
himself with the picture of humanity presented to him in the book
that he happens to be perusing, whether it be a novel or a scientific
treatise. Naturally enough, therefore, he is exposed to the severest
shocks if at every turn he is prevented from idealizing his own nature,
or from thinking too well of it, owing to the fact that the picture
he is contemplating is too humiliating to be pleasant, and yet too
convincing to be lightly rejected.
Public-domain text, read in full here on John Shaqi.
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