English poetry -- 19th century; Women -- History; Women -- Social conditions; Women -- Suffrage
“The ‘pit-brow’ lasses of the Wigan district will not need to complain,
for he writes of them not only in a kindly spirit, but even with
enthusiasm for their healthy looks, graceful figures, and good conduct.
We need not follow his description of the processes in which the women
of the colliery are employed, but we may say in passing that Mr. Wakeman
was astonished by the ‘wonderful quickness of eye and movement’ shown by
the ‘screeners,’ and by the ‘superb physical development’ and agility of
the ‘fillers.’ He had expected to find them ‘the most forlorn creatures
bearing the image of women,’ and he found them strong, healthy,
good-natured, and thoroughly respectable. ‘English roses glow from
English cheeks. You cannot find plumper figures, prettier forms, more
shapely necks, or daintier feet, despite the ugly clogs, in all of
dreamful Andalusia. The “broo gear” is laid aside on the return home
from work, and then the “pit-brow” lass is arrayed as becomingly as any
of her class in England, and in the village street, or at church of a
Sunday, you could not pick her out from among her companions, unless for
her fine colour, form, and a positively classic poise and grace of
carriage possessed by no other working women of England. Altogether,’ he
says, ‘I should seriously regard the pit-brow lasses as the handsomest,
healthiest, happiest, and most respectable working women in
England.’—(_Manchester Guardian_, Aug. 28, 1891.)
_Id._... Concerning the question of male and female dress, evidence as
to how far woman has been hindered and “handicapped” by her conventional
attire, and not by her want of physical strength or courage, is reported
from time to time in the public prints, as witness the following,
published generally in the English newspapers of 14th Oct., 1891:—
Public-domain text, read in full here on John Shaqi.
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