He called out to her and she turned and stared at him for a moment,
the veins in her white throat pulsing, her moist red lips slightly
parted. Her cheeks were still flushed and her bosom rose and fell with
her breathing, rose and fell with a slow trembling and she seemed
aroused still and if he had pleaded with her he was sure she would have
come running back to him. But he did not plead, because there was no
recognition in her eyes.
Her eyes were cold, empty, drained now of all expression. But it
was not only her eyes that chilled him. It was the jerkiness of her
movements, the stiffness, the rigidity. He had never seen a woman move
in that way before.
The woman who stood facing him was not dead and yet she was moving. Not
as a living man or woman would move, but as an automaton would move if
it were clothed in garments of flesh, and knew more about life than an
automaton should know and had perhaps even held converse with the dead.
She did not wait for him to call out to her again, but turned and
continued on until she stood before the door. She remained for an
instant motionless, staring at the white panels on both sides of the
door and then raised her head and stared up at the ceiling, as if the
room was totally unfamiliar to her and she was puzzled and disturbed to
find herself imprisoned within it.
Then slowly, jerkily, her hand went out and fastened on the knob of the
door and it turned in her clasp. She opened the door and went out into
the hall and closed it very firmly behind her.
The instant the door closed Loring started to get up from the bed. He
quickly discovered that he could scarcely move at all. His limbs seemed
weighted and when he tried to raise his arms agonizing stabs of pain
darted through them.
He sank back against the pillows, feeling alarmingly light-headed, his
vision beginning to swim. The room seemed to waver and recede, the
floor to tilt, the furniture take on grotesque and unfamiliar contours.
The chairs elongated, the mirror above the mantel misted and seemed to
melt, the pictures on the wall changed color. Blues became yellows,
yellows blues, the purples deepened, the reds and greens faded out.
Landscapes changed their pattern, hills dissolved, rivers widened or
broke up into dozens of small streams that snaked in all directions
over a gray and desolate plain.
The walls seemed to converge and increase in height and then to sweep
away from him like the sides of a towering wave receding from a
crippled ship, caught in a gigantic storm-wind and whirled helplessly
about.
He saw the door opening as in a glass darkly, the knob a glowing ember
amidst a weaving wilderness where nothing else glowed except the faint
outlines of dissolving shadow-shapes.
There was someone in the room with him now, but he could not see the
intruder clearly, only the looming massiveness of his shoulders and his
flickering shadow on the walls.
Public-domain text, read in full here on John Shaqi.
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