There was not, however, the perfect social equality of Egypt, and as
we pass to the higher classes we get indications of male domination.
The woman of the lower-middle class had an excellent position. While
her few slaves attended to the work in the rooms that opened on the
central court, she chatted from the flat roof with her neighbour on
the adjoining roof, and she moved freely about in the heavy
embroidered garments that the Assyrians wore. She had brought a
dowry to her husband, and kept control of it or increased it, with
perfect freedom to trade. In the imperishable clay tablets that
still recall the business-world of Babylon and Nineveh we find
married women very commonly interested in trade or industry. The
wealthier women, with large dowries, should, on the face of the
matter, have great independence, but it seems that some restraint
was imposed on them. They spent most of their time in the elaborate
luxury of their houses, and, if they ventured out, it was only with
the accompaniment of a troop of slaves and eunuchs. Ladies of higher
rank were even more restricted, and the queens never went out.
We find, then, in ancient Mesopotamia that woman generally had no
sex disabilities. In some clauses relating to divorce and
unfaithfulness we find the inevitable advantage of the male, but in
practice the woman had little to complain of. As in Egypt, the
political system was a sacred and absolute monarchy, so that neither
men nor women had any control, or any idea of aspiring to it. Queens
could occupy the throne. Semiramis is probably a mythic personage;
but a Babylonian princess, Sammuramat, ruled at Nineveh (whose king
she had married) about 800 B.C. with great success. Once more,
however, this was exceptional and vicarious. Political power was in
the hands of men--the king and his council of nobles; and over all
the community again were the castes of warriors and priests, though
the latter body could be penetrated by women to some extent, owing
to the immense popularity of the goddess Ishtar.[4]
Public-domain text, read in full here on John Shaqi.
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