Further, even if a modern nation die, the cry of its women will not
perish with it, as in those older days. I do not for a moment forget
that the balance may be disturbed, and the flood of war devastate a
modern kingdom, at any time; or that, if the lips of our guns were
sealed and the red rain stopped for ever, commercial rivalry might
bring a flagging race to ruin. That is quite possible; but the truth
is that every one of these rival nations has the same agitation in
its midst. No nation whose women have not yet stirred at the cry of
reform has the remotest chance of rising to power. The cry is strong
in Japan to-day, and will be heard in China to-morrow. It has loud
and eloquent utterance in Russia, Italy, and Spain, and it will
assuredly pass on to a renovated Turkey and Persia. Whatever powers
rise or fall, civilisation cannot die again, and it is civilisation
that faces the demand for change to-day. The cry died away on the
lips of the women of Greece and Rome and medieval Italy because
their civilisation perished, and a power rose on its ruins that had
not yet reached the same height of culture. That, assuredly, will
never happen again.
If this is so--and, apart from a few yellow-peril fanatics, I know
of no serious observer who doubts it--the comparison of the modern
woman-movement with those of former times must lead to a very
different conclusion from that of our superficial historical
critics. England, or the greatness of England, may die, but this
agitation is not a symptom, good or bad, of England's life alone.
It is not a special feature of the life of Germany, or the United
States, or any nation. It is a general feature of civilisation, and
civilisation will never again evade the settlement of its moral
problems by dying. Culture will go on, and the demand grows with
culture. We cannot possibly see a third act to the drama as it was
played on the earlier stage of history. There will be no fall of the
curtain now on an unsolved problem.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account