Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary SourcesStowe, Harriet Beecher
Religion
Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary Sources
Stowe, Harriet Beecher
Bible -- Biography; Women in the Bible -- Biography
When the fear of being childless seized upon her, Sarah was willing
to exalt one, who was as a second self to her, to the rank of
an inferior wife, according to the customs of those early days;
intending to adopt and treat as her own the child of her handmaid.
But when the bondwoman found herself thus exalted, and when the
crowning honor of prospective motherhood was conferred upon her,
her ardent tropical blood boiled over in unseemly exultation,--"her
mistress was despised in her eyes."
Probably under the flapping curtains of the pastoral tent, as under
the silken hangings of palaces, there were to be found flatterers
and mischief-makers ready to fill the weak, credulous ear with their
suggestions. Hagar was about to become mother of the prince and heir
of the tribe; her son one day should be their chief and ruler, while
Sarah, childless and uncrowned, should sink to a secondary rank.
Why should she obey the commands of Sarah?
Our idea of Sarah is that of a warm-hearted, generous, bountiful
woman, with an intense sense of personal dignity and personal
rights,--just the woman to feel herself beyond measure outraged
by this unexpected result of what she must have looked upon as
unexampled favor. In place of a grateful, devoted creature,
identified with her interests, whose child should be to her as her
own child, she finds herself confronted with an imperious rival, who
lays claim to her place and position.
The struggle was one that has been witnessed many a time since in
families so constituted, and with such false elements. Abraham,
peace-loving and quiet, stands neutral; confident, as many men are,
of the general ability of the female sex, by inscrutable ways and
methods of their own, to find their way out of the troubles they
bring themselves into. Probably he saw wrong on both sides; yet
Hagar, as the dependent, who owed all the elevation on which she
prided herself to the good-will of her mistress, was certainly the
more in fault of the two; and so he dismisses the subject with: "Thy
maid is in thy hand; do with her as pleaseth thee."
The next we hear of the proud, hot-hearted, ungoverned slave-girl,
is her flight to the wilderness in a tumult of indignation and
grief, doubtless after bitter words and hard usage from the once
indulgent mistress. But now comes into the history the presence of
the Father God, in whose eye all human beings are equal, and who
looks down on the boiling strifes and hot passions of us all below,
as a mother on the quarrels of little children in the nursery.
For this was the world's infancy, and each character in the drama
represented a future nation for whom the All-Father was caring.
So when the violent, desolate creature had sobbed herself weary in
the lonesome desert, the story says: "And the angel of the Lord
found her by a fountain of water, in the way to Shur. And he said,
Hagar, Sarah's maid, whence camest thou? and whither wilt thou go?
And she said, I flee from the face of my mistress, Sarah."
Public-domain text, read in full here on John Shaqi.
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