Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary SourcesStowe, Harriet Beecher
Religion
Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary Sources
Stowe, Harriet Beecher
Bible -- Biography; Women in the Bible -- Biography
In the little that is said of Rebekah, we see always that alert
readiness, prompt to see and do what is to be done at the moment. No
dreamer is she, but a lively and wide-awake young woman, who knows
her own mind exactly, and has the fit word and fit action ready for
each short turn in life. She was quick, cheerful, and energetic in
hospitality. She was prompt and unhesitating in her resolve; and
yet, at the moment of meeting, she knew the value and the propriety
of the _veil_. She covered herself, that she might not unsought be
won.
With a little touch of pathos, the story ends: "And Isaac brought
her into his mother Sarah's tent, and took Rebekah, and she became
his wife; and he loved her: and Isaac was comforted after his
mother's death." We see here one of those delicate and tender
natures that find repose first in the love of a mother, and, when
that stay is withdrawn, lean upon a beloved wife.
So ideally pure, and sweet, and tenderly religious has been the
whole inception and carrying on and termination of this wedding,
that Isaac and Rebekah have been remembered in the wedding ritual
of the catholic Christian churches as models of a holy marriage
according to the Divine will. "Send thy blessing upon these thy
servants, this man and this woman, whom we bless in thy name; that
as Isaac and Rebekah lived faithfully together, so these persons may
surely perform and keep the vow and covenant between them."
In the subsequent history of the family, the dramatic individuality
of the characters is kept up: Isaac is the gentle, thoughtful,
misty dreamer, lost in sentiment and contemplation; and Rebekah the
forward, cheerful, self-confident manager of external things. We
can fancy it as one of the households where all went as the mother
said. In fact, in mature life, we see these prompt and managing
traits, leading the matron to domestic artifices which could only
be justified to herself by her firm belief that the end pursued was
good enough to sanctify the means. Energetic, lively, self-trustful
young women do sometimes form just such managing and diplomatic
matrons.
Isaac, the husband, always dreamy and meditative, becomes old and
doting; conceives an inordinate partiality for the turbulent son
Esau, whose skill in hunting supplies his table with the meat he
loves. Rebekah has heard the prophetic legend, that Jacob, the
younger son, is the chosen one to perpetuate the sacred race; and
Jacob, the tender, the care-taking, the domestic, is the idol of her
heart.
Public-domain text, read in full here on John Shaqi.
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