Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary SourcesStowe, Harriet Beecher
Religion
Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary Sources
Stowe, Harriet Beecher
Bible -- Biography; Women in the Bible -- Biography
The marriage of Isaac and Rebekah was more like the type of a
Christian marriage than any other on record. No other wife shared
a place in his heart and home; and, even to old age, Isaac knew
no other than the bride of his youth. From this union sprang twin
boys; between whom, as is often the case, there was a remarkable
difference. The physical energy and fire all seemed to go to
one, the gentler and more quiet traits to the other. Esau was
the wild huntsman, the ranger of the mountains, delighting in
force,--precisely adapted to become the chief of a predatory tribe.
Jacob, the patient, the prudent, the submissive, was the home child,
the darling of his mother. Now, with every constitutional excellency
and virtue is inevitably connected, in our imperfect humanity, the
liability to a fault. The peace-loving and prudent, averse to
strife, are liable to sins of artifice and deception, as stronger
natures are to those of force and violence. Probably, in the calm
eye of Him who sees things just as they are, the one kind of fault
is no worse than the other. At all events, the sacred narrative is
a daguerreotype of character; it reflects every trait and every
imperfection without comment. The mild and dreamy Isaac, to save his
wife from a rapacious king, undertakes to practice the same artifice
that his father used before him, saying, "She is my sister"; and the
same evil consequence ensues. The lesson of artifice once taught
in the family, the evil spreads. Rebekah, when Isaac is old and
doting, commands Jacob to personate his older brother, and thus
gain the patriarchal blessing, which in those days had the force
of a last will and testament in our times. Yet, through all the
faults and errors of the mere human actors runs the thread of a
Divine guidance. Before the birth of Jacob it was predicted that
he should be the chosen head of the forming nation; and by his
mother's artifice, and his own participation in it, that prediction
is fulfilled. Yet the natural punishment of the action follows. Esau
is alienated, and meditates murder in his heart; and Jacob, though
the mother's darling, is driven out from his home a hunted fugitive,
parted from her for life. He starts on foot to find his way to
Padan-Aram, to his father's kindred, there to seek and meet and woo
the wife appointed for him.
Public-domain text, read in full here on John Shaqi.
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