Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary SourcesStowe, Harriet Beecher
Religion
Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary Sources
Stowe, Harriet Beecher
Bible -- Biography; Women in the Bible -- Biography
The story of Ruth is a beautiful idyl of domestic life, opening to
us in the barbarous period of the _Judges_. In reading some of the
latter chapters of that book, one might almost think that the system
of Moses had proved a failure, and that the nation was lapsing back
into the savage state of the heathen world around them; just as,
in reading the history of the raids and feuds of the Middle Ages,
one might consider Christianity a failure. But in both cases there
were nooks and dells embosomed in the wild roughness of unsettled
society, where good and honest hearts put forth blossoms of immortal
sweetness and perfume. This history of Ruth unveils to us pictures
of the best people and the best sort of life that were formed by the
laws and institutes of Moses,--a life pastoral, simple, sincere,
reverential, and benevolent.
The story is on this wise: A famine took place in the land of Judah,
and a man named Elimelech went with his wife and two sons to sojourn
in the land of Moab. The sons took each of them a wife of the
daughters of Moab, and they dwelt there about ten years. After that,
the man and both the sons died, and the mother, with her two widowed
young daughters, prepared to return to her kindred. Here the scene
of the little drama opens.
The mother, Naomi, comes to our view, a kind-hearted, commonplace
woman, without any strong religious faith or possibility of heroic
exaltation,--just one of those women who see the hard, literal
side of a trial, ungilded by any faith or hope. We can fancy her
discouraged and mournful air, and hear the melancholy croak in
her voice as she talks to her daughters, when they profess their
devotion to her, and their purpose to share her fortunes and go with
her to the land of Israel.
"Turn again, my daughters; why will ye go with me? Are there yet any
more sons in my womb, that they may be your husbands? Turn again, my
daughters, go your way, for I am too old to have an husband. If I
should say that I have hope to-night that I should have an husband,
and bear sons, would ye tarry for them till they were grown? Would
ye stay from having husbands? Nay, my daughters, it grieveth me for
your sake that the hand of the Lord hath gone out against me."
This pre-eminently literal view of the situation seemed to strike
one of the daughters as not to be gainsaid; for we read: "And
they lifted up their voices and wept again, and Orpah kissed her
mother-in-law, but Ruth clave unto her."
All the world through, from that time to this, have been these two
classes of friends. The one weep, and kiss, and leave us to our
fate, and go to seek their own fortunes. There are plenty of that
sort every day. But the other are one with us for life or death.
Public-domain text, read in full here on John Shaqi.
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