Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary SourcesStowe, Harriet Beecher
Religion
Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary Sources
Stowe, Harriet Beecher
Bible -- Biography; Women in the Bible -- Biography
The literal-minded, sorrowful old woman has no thought of inspiring
such devotion. Orpah, in her mind, has done the sensible and only
thing in leaving her, and she says to Ruth: "Behold, thy sister has
returned unto her people and unto her gods; return thou after thy
sister-in-law."
We see in this verse how devoid of religious faith is the mother. In
a matter-of-course tone she speaks of Orpah having gone back to her
gods, and recommends Ruth to do the like. And now the fair, sweet
Ruth breaks forth in an unconscious poetry of affection, which has
been consecrated as the language of true love ever since: "Entreat
me not to leave thee, or to return from following after thee; for
whither thou goest I will go, and where thou lodgest I will lodge:
thy people shall be my people, and thy God my God. Where thou diest
I will die, and there will I be buried: the Lord do so to me, and
more also, if aught but death part thee and me."
Troth-plight of fondest lovers, marriage-vows straitest and most
devoted, can have no love-language beyond this; it is the very
crystallized and diamond essence of constancy and devotion. It
is thus that minds which have an unconscious power of enthusiasm
surprise and dominate their literal fellow-pilgrims. It is as if
some silent dun-colored bird had broken out into wondrous ecstasies
of silver song. Naomi looked on her daughter, and the narrative
says, "When she saw that she was steadfastly minded to go with her,
then she left speaking to her." But Ruth is ignorant of the beauty
of her own nature; for Love never knows herself or looks in a mirror
to ask if she be fair; and though her superior moral and emotive
strength prevail over the lower nature of the mother, it is with a
sweet, unconscious, yielding obedience that she follows her.
When they came back to their kindred, the scene is touchingly
described. In her youth the mother had been gay and radiant, as
her name, Naomi, "pleasant," signifies. "And it came to pass that
when they came in, all the village was moved about them, and they
said: Is this Naomi? And she said: "Call me not Naomi, call me Marah
[bitterness]; for the Almighty hath dealt very bitterly with me. I
went out full, and the Lord hath brought me again empty. Why then
call ye me Naomi, seeing the Lord hath testified against me, and the
Almighty hath afflicted me?"
Public-domain text, read in full here on John Shaqi.
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