It was the special mission of the Duchess Elisabetta to fuse these
elements into a society that should be a model for other courts
and coming generations. Here lies her originality and her claim to
distinction. This clever princess, who loved her husband devotedly,
cared for the poor and sorrowing among her people, and had moral
convictions of her own as well as ideas, was well fitted for her
position. Without any pretension to genius, she had a clear,
discriminating mind, rare intelligence, great beauty, and gracious
manners. Her character had a fine symmetry, and she was equally
successful in directing her household, conversing with great men,
and holding the reins of government when her husband--a condottiere
by profession, like most of the smaller princes--was in the field
elsewhere. Surrounded by adorers in an age when indiscretions, even
sins, were easily forgiven, no breath of censure ever touched her
fair name. Her dignity and a reserve that verged upon coldness gave
a pure tone to her court. She permitted neither malicious gossip nor
heated talk, and required unsullied honor and exemplary conduct of her
friends. We might question the standards a little, as men at least were
privileged beings not to be too closely scrutinized.
In her social duties she had the efficient aid of Emilia Pia, the
duke’s sister-in-law, a woman of brilliant intellect and high
character, who had lost her husband in youth, and lived at Urbino. Of a
gayer turn, her ready wit and happy temperament, added to her knowledge
and personal fascination, made her the life of the house. Other and
younger ladies of well-known names and kindred tastes figure in its
diversions.
Public-domain text, read in full here on John Shaqi.
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