The magnificent old palace that overlooked the city from its
picturesque site among the hills was one of the finest in Italy. Its
stately rooms were filled with rare treasures of painting, sculpture,
mosaic, and costly furniture. There were exquisite decorations in
marble and tarsia, and the walls were draped with rich tapestries.
Raphael was a youth then, and no doubt his first dreams had been
of these beautiful things, among which he must have rambled. It is
likely, too, that he met here the friends who were of so much service
to him afterward at Rome, among them Bibbiena, to whose grandniece
he was betrothed. His father had painted some of the frescos, and was
a welcome visitor. Other artists were invited there, and added to the
glories of the famous pile. Among these surroundings of art and beauty,
with the traditions of culture that lay behind them, clever, thoughtful
women and brilliant men met evening after evening to talk of the
world and its affairs, of things light and serious, of love, manners,
literature, statecraft, and philosophy. When they tired of grave
themes, they amused themselves with allegories, playful badinage, witty
repartees, and devices of all sorts to stimulate the intellect. After
supper there was music and dancing, if the conversation did not last
until the morning hours. Sometimes they had their own plays acted in
the pretty little theater. It was here that Bibbiena’s famous comedy,
“Calandra,” with its gorgeous pagan setting and its curious blending of
love and mythology, of nymphs, Cupids, and goddesses, was first given
to an admiring world.
But we are most interested to-day in the conversations. Many evenings
were devoted to defining the character and duties of a courtier,
which differed little from those of a modern gentleman, except
in the exaggerated deference claimed to be due to a superior and
verging upon servility. It is more to the purpose here to touch
upon the discussions relating to women, as they furnish a key to
fifteenth-century manners which were the basis of all modern codes,
though to-day many of the best of their formulas are more conspicuous
in the breach than in the observance.
Public-domain text, read in full here on John Shaqi.
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