The old and imposing palace of Mantua to this day shows traces of the
taste and generosity of its most distinguished mistress. She filled it
with rare books, exquisite tapestries, and curios of all sorts, chosen
with the discrimination of a connoisseur. Its walls were decorated with
the masterpieces of Correggio, Mantegna, Perugino, and other great
artists whom she was proud to call her friends. Chief among those in
whose conversation she delighted were Titian and Leonardo da Vinci, who
immortalized her. A living portrait by the latter is still one of the
treasures of the Louvre. Her keen critical taste was quick to divine
intrinsic values, and she was always on the alert for fresh talent to
add to the glories of her little court. It was not rich, and we find
her troubled at the prospect of entertaining her sister’s magnificent
husband, Lodovico Sforza, who proposed to visit her with a retinue of a
thousand or so. But her money went freely for everything pertaining to
matters of intellect and taste. She sent her agents in all directions,
even to the far East, and a new-found statue, a rare bit of tapestry,
or a precious mosaic was an event of joy. Her own teeming imagination
was full of pictures, and she liked to suggest themes to artists, which
were not always easy to put into living form. But her sympathetic and
intelligent enthusiasm was in itself an inspiration.
This critical, art-loving Isabella, however, was more than a
dilettante. Her heart went out to every form of suffering. Running over
with kindness, and always ready to help the needy and deserving, her
sympathies sometimes got the better of her judgment, and more than once
she had to regret enlisting her friends in the cause of the unworthy.
This generous quality was a part of her rich temperament. With her
intellectual tastes, and the many cares and responsibilities of her
position, she was no grave and cold Minerva. We find her everywhere
entering into the sports and gaieties of her age with the zest of a
woman abounding in spirit, vitality, and the joy of life. When she went
to see her sister at Milan, she rode, danced, hunted, made impromptu
verses, dazzled her friends with flashes of wit, and fascinated
old and young alike with her winning, lively ways. Her powerful
brother-in-law was always glad to consult her on serious questions of
State, as well as on his vast plans for making a beautiful and artistic
city. The things that were shaping themselves in the minds of great
artists appealed to her ardent imagination. “This is the school of
the _master_ and of those who _know_, the home of art and
understanding,” she wrote from there.
Public-domain text, read in full here on John Shaqi.
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