even if there be a spiral tendency upward, as the optimists amiably
assure us.
Doubtless we fancy ourselves much wiser than those seventeenth-century
précieuses whose imitators did them so much harm. Certainly we put more
seriousness into our pretensions. But we have our own little faults and
affectations, though they are not precisely the same. We do not devote
ourselves to portraits, or sonnets, or madrigals. We do not moralize in
maxims, good or bad, nor do we pretend to be sentimental; indeed, we
pretend not to be, if we are. Sentiment is out of fashion. The modern
Philaminte may look with chilling pity upon her belated sister who
has the courage to like Tennyson and Mrs. Browning, when she ought to
prefer Ibsen and the symbolists; but she is not likely to faint at a
common word, or dismiss her cook for a solecism. Our foibles are of
quite another sort. Instead of painting little pictures on a small
canvas, we take a very large canvas and pad our pictures to fit it. We
do not map out the passions on a _carte du tendre_, or give our
valuable time to the discussion of a high-flown Platonism which cradles
a woman in rose-leaves, while her lover waits for her a dozen years
or so because it is vulgar to marry; but we map out the fields of the
intellect, extending from protoplasm to the fixed stars, and undertake
to traverse the whole as confidently as we start for a morning walk.
If we cannot get over the ground fast enough, we can take an electric
train and catch flying glimpses sufficient to give us a pleasant
consciousness of being intelligent and quite modern.
Such vast aims are, no doubt, praiseworthy, and reflect great credit
on the clubs which have demonstrated so clearly the expansive quality
of the feminine mind; but they are also fatiguing, and suggest the
possibility that these same clubs are pushing us a little too fast
and too far. One is often forced to the conclusion that we should do
more if we did not try to do quite so much. It is very well to follow
Emerson’s advice to “hitch your wagon to a star”; but he never proposed
hitching it to all the constellations at once. When I hear the Greek
poets, the Italian painters, the English novelists, and the German
masters disposed of at a symposium in a single afternoon, as I did not
long ago, I wonder if the rare quality of mental distinction which made
the glory of the Immortals will exist at all in the future; whether we
shall not build tents for our thoughts instead of temples; whether,
indeed, the finest flavor of thought will not be as hopelessly lost as
the perfume of the flowers that are scattered in indiscriminate heaps
along the highways to show their quantity.
Public-domain text, read in full here on John Shaqi.
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