It was from Sparta that the beautiful Helen sailed away on that fateful day which changed the face of the primitive world, and the tradition of her loveliness was not lost. The Spartan women were still noted for beauty of a healthy, vigorous, luxuriant sort, but it seems to have lacked the distinctly feminine and magical quality that raised Helen to the ranks of the goddesses. They were of firmer mold and less sensuous type. Aphrodite fared badly among the sturdy people in the valley of the Eurotas. She had but one temple, and even there she sat armed with a sword and veiled, with ignominious fetters on her feet. Artemis, active, fleet of foot, and strong, held the place of honor. Delicacy and tenderness were marks of inferiority which Spartan training tended to efface. These brave, decided, clear-headed, and efficient women had abundant heroism, but little of the warm, sympathetic temperament which we call womanly and they called weak. This goes far to prove that, within certain limits, the accepted standard of what is womanly, and what is not, depends largely upon custom, or fashion, or expediency, and suggests some unpleasant possibilities if the race of women should be fully educated to the hard uses and material ideals of a purely industrial or commercial life, as outlined in the brains of many modern social reformers. Such uses may be a present necessity rather than a choice, but whether the gain in strength and independence will compensate for the inevitable loss of many gentler qualities is one of the problems for the future to solve. In any case, the old theory of a divine law that has fixed the nature as well as the status of women in the economy of creation, is likely to be seriously disturbed, as it was in the Sparta of old. In the martial chorus that called itself the song of liberty, the musical, love-inspired voices of women were lost. It celebrated the apotheosis of force, which has always been fatal to the finer and more spiritual gifts of the less militant sex. But for once it served them indirectly a good turn, in spite of certain hardening effects upon the character and manners. This is quite evident when we compare the Doric woman with the secluded Athenian of softer ways but with no outlet for her intelligence, and apparently no influence.