Woman on Her Own, False Gods and The Red Robe: Three Plays By BrieuxBrieux, Eugène
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Woman on Her Own, False Gods and The Red Robe: Three Plays By Brieux
Brieux, Eugène
French drama
VAGRET. Ah, why, why? Long before the hearing of the case it was so
clearly understood by everybody that the prisoner was the criminal! And
then it all went to my head, it intoxicated me--the way they talked. I
was the spokesman of humanity, I was to reassure the countryside, I was
to restore tranquillity to the family, and I don't know what else! So
then--I felt I must show myself equal to the part intrusted to me. My
first indictment was relatively moderate--but when I saw the celebrated
counsel making the jurymen weep, I thought I was lost; I felt the
verdict would escape me. Contrary to my habit, I replied. When I rose to
my feet for the second time I was like a man fighting, who has just had
a vision of defeat, and who therefore fights with the strength of
despair. From that moment Etchepare, so to speak, no longer existed. I
was no longer concerned to defend society or sustain my accusation; I
was contending against the advocate; it was a trial of orators, a
competition of actors; I had to be the victor at all costs. I had to
convince the jury, resume my hold on it, wring from it the double "yes"
of the verdict. I tell you, Etchepare no longer counted; it was I who
counted, my vanity, my reputation, my honor, my future. It's shameful, I
tell you, shameful. At any cost I wanted to prevent the acquittal which
I felt was certain. And I was so afraid of not succeeding that I
employed every argument, good and bad, even that of representing to the
terrified jurymen their own houses in flames, their own flesh and blood
murdered. I spoke of the vengeance of God falling on judges without
severity. And all this in good faith--or rather unconsciously, in a
burst of passion, in an access of anger against the advocate, whom I
hated at that moment with all my might. My success was greater than I
hoped; the jury is ready to obey me; and I, my dear, I have allowed
myself to be congratulated, I have grasped the hands held out to me.
That is what it is to be a magistrate!
MADAME VAGRET. Never mind. Perhaps there aren't ten in all France who
would have acted otherwise.
VAGRET. You are right. Only--if one reflects--it's precisely that that's
so dreadful.
RECORDER [_entering_] Monsieur le Procureur, the President is asking
when the sitting can be resumed.
VAGRET. At once.
MADAME VAGRET. What are you going to do?
VAGRET. My duty as an honest man. [_He makes ready to go_]
CURTAIN.
ACT IV
SCENES--_Same as the Second Act._
SCENE I:-_Bunerat, the President of Assizes, and Vagret._
BUNERAT. Well, your honor, there's another session finished.
THE PRESIDENT [_in red robe_] I've been in a blue funk lest these brutes
would make me lose my train. I'm going shooting to-morrow on the Cambo
Ponds, you see, my dear fellow, and after to-night's train it's no go.
[_Looks at his watch_] Oh, I've an hour and a half yet.
BUNERAT. And what do you think of it, your honor?
Public-domain text, read in full here on John Shaqi.
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