Women -- Employment -- United States; Women -- Social and moral questions
The pioneer woman in American journalism was Mrs. Margaret Craper, of
the _Massachusetts Gazette and News Letter_, in the years of the
Revolutionary War. After her to the year 1837 must be referred the first
entrance of any American woman into the field of active journalism. At
that time Mrs. Ann S. Stephens accepted the duties of editorial writer
and literary critic in the columns of the _New York Evening Express_.
Her connection with that paper continued for thirty years, but after
1857 it was limited to the editorial pages by the press of exacting
duties elsewhere. In the last named year Mrs. Elizabeth F. Ellet
succeeded her as literary editor of the _Express_, sustaining well the
reputation which Mrs. Stephens had gained for it of a just and high
standard of criticism. But in the intervening twenty years other women
had followed Mrs. Stephens’s lead, and made their mark in journalism
with a freshness, a vigor, and a brilliance unsurpassed by any of the
numerous later comers. During the thirties Mrs. Sarah Josepha Hale and
the once famous Grimké sisters, Sarah and Angelina, availed themselves
of the opportunities offered for special writing by New York and
Philadelphia papers. In 1841 Mrs. Lydia Maria Child, one of the most
widely known authors of the day, made her appearance in the arena of New
York journalism as editor of the _Anti-Slavery Standard_, a weekly
newspaper published by the American Anti-Slavery Society. Mrs. Child had
already demonstrated her editorial ability in the establishment and
conduct, for eight years, of the _Juvenile Miscellany_, the pioneer
children’s magazine of America. For two years Mrs. Child conducted the
_Standard_ alone; then, for six years more, in conjunction with her
husband. But her best work during these years was done in 1842–’3–’4 as
special New York correspondent for the _Boston Courier_, then edited by
Joseph T. Buckingham. These weekly letters of hers, original, sparkling,
thoughtful, vigorous, depicting the social, literary, musical, and
dramatic life of the metropolis, were afterwards republished in two
volumes, which hold a wonderful fascination still, when read after the
lapse of more than a generation.
Public-domain text, read in full here on John Shaqi.
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