Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
The interest centres in the two heroines, Euthanasia, Countess of
Valperga, and Beatrice, Prophetess of Ferrara. Strong, intellectual, and
passionate, not until the time of George Eliot did women of this type
become prominent in fiction. Euthanasia, a Guelph and a Florentine, with
a soul "adapted for the reception of all good," was betrothed to the
youth Castruccio, whom she at that time loved. Later, when his character
deteriorated under the influence of selfish ambition, she ceased to love
him, and said, "He cast off humanity, honesty, honourable feeling, all
that I prize." Castruccio belonged to the Ghibelines, so that the story
of their love is intertwined with the struggle between these two parties
in Italy.
But more beautiful than the intellectual character of Euthanasia, is the
spiritual one of Beatrice, the adopted daughter of the bishop of
Ferrara, who is regarded with feelings of reverence by her countrymen,
because of her prophetic powers. Pure and deeply religious, she accepted
all the suggestions of her mind as a message from God. When Castruccio
came to Ferrara and was entertained by the bishop as the prince and
liberator of his country, she believed that together they could
accomplish much for her beloved country: "She prayed to the Virgin to
inspire her; and, again giving herself up to reverie, she wove a subtle
web, whose materials she believed heavenly, but which were indeed stolen
from the glowing wings of love." No wonder she believed the dictates of
her own heart, she whose words the superstition of the age had so often
declared miraculous. She was barely seventeen and she loved for the
first time. How pathetic is her disillusionment when Castruccio bade her
farewell for a season, as he was about to leave Ferrara. She had
believed that the Holy Spirit had brought Castruccio to her that by the
union of his manly qualities and her divine attributes some great work
might be fulfilled. But as he left her, he spoke only of earthly
happiness:
"It was her heart, her whole soul she had given; her understanding, her
prophetic powers, all the little universe that with her ardent spirit
she grasped and possessed, she had surrendered, fully, and without
reserve; but, alas! the most worthless part alone had been accepted, and
the rest cast as dust upon the winds."
Afterwards, when she wandered forth a beggar, and was rescued by
Euthanasia, she exclaimed to her:
"You either worship a useless shadow, or a fiend in the clothing of a
God."
Public-domain text, read in full here on John Shaqi.
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