Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
The daughter of Mary Wollstonecraft could fully sympathise with
Beatrice. In the grief, almost madness, with which Beatrice realises her
self-deception, there are traces of Frankenstein. Perhaps no problem
plucked from the tree of good and evil was so ever-present to Mary
Shelley as why misery so often follows an obedience to the highest
dictates of the soul. Both her father and mother had experienced this;
and she and Shelley had tasted of the same bitter fruit. In the analysis
of Beatrice's emotions Mrs. Shelley shows herself akin to Charlotte
Brontë.
Three years after the death of Shelley, she published _The Last Man_. It
relates to England in the year 2073 when, the king having abdicated his
throne, England had become a republic. Soon after this, however a
pestilence fell upon the people, which drove them upon the continent,
where they travelled southward, until only one man remained. The plot is
clumsy; the characters are abstractions.
But the feelings of the author, written in clear letters on every page,
are a valuable addition to the history of the poet Shelley and his wife.
Besides her fresh sorrow for her husband, Byron had died only the year
before. Her mind was brooding on the days the three had spent together.
Her grief was too recent to be shaken from her mind or lost sight of in
her imaginative work. Shelley, and the scenes she had looked on with
him, the conversations between him and his friends, creep in on every
page. Lionel Verney, the Last Man, is the supposed narrator of the
story. He thus describes Adrian, the son of the king: "A tall, slim,
fair boy, with a physiognomy expressive of the excess of sensibility and
refinement, stood before me; the morning sunbeams tinged with gold his
silken hair, and spread light and glory over his beaming countenance ...
he seemed like an inspired musician, who struck, with unerring skill,
the 'lyre of mind,' and produced thence divinest harmony.... His slight
frame was over informed by the soul that dwelt within.... He was gay as
a lark carrolling from its skiey tower.... The young and inexperienced
did not understand the lofty severity of his moral views, and disliked
him as a being different from themselves." Shelley, of course, was the
original of this picture. Lord Byron suggested the character of Lord
Raymond: "The earth was spread out as a highway for him; the heavens
built up as a canopy for him." "Every trait spoke predominate self-will;
his smile was pleasing, though disdain too often curled his lips--lips
which to female eyes were the very throne of beauty and love.... Thus
full of contradictions, unbending yet haughty, gentle yet fierce,
tender and again neglectful, he by some strange art found easy entrance
to the admiration and affection of women; now caressing and now
tyrannising over them according to his mood, but in every change a
despot."
Public-domain text, read in full here on John Shaqi.
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