Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
Lady Lodore's character changes in the book, and becomes more like that
of Harriet Shelley. As Mrs. Shelley wrote, fragments of the past
evidently came into her mind and influenced her pen, and her original
conception of the characters was forgotten. Clorinda, the beautiful,
eloquent, and passionate Neapolitan, was drawn from Emilia Viviani, who
had suggested to Shelley his poem _Epipsychidion_, while both Horatio
Saville, who had "no thought but for the nobler creations of the soul,
and the discernment of the sublime laws of God and nature," and his
cousin Villiers, also an enthusiastic worshipper of nature, possessed
many of Shelley's qualities.
Besides two other novels of no value, _Perkin Warbeck_ and _Falkner_,
Mrs. Shelley wrote numerous short stories for the annuals, at that time
so much in vogue. In 1891, these were collected and edited with an
appreciative criticism by Sir Richard Garnett. Many of them have the
intensity and sustained interest of Frankenstein.
After the death of her husband, grief and trouble dimmed Mrs. Shelley's
imagination. But the pale student Frankenstein, the monster he created,
and the beautiful priestess, Beatrice, three strong conceptions, testify
to the genius of Mary Shelley.
CHAPTER XIII
Mrs. Gore. Mrs. Bray
During the second decade of the nineteenth century, while Scott was
writing some of the most powerful of the Waverley novels, a host of new
writers sprang into popular notice. John Galt, William Harrison
Ainsworth, and G. P. R. James began their endless series of historical
romances, while in 1827, Bulwer Lytton and Benjamin Disraeli introduced
to the reading public, as the representatives of fashionable society,
_Falkland_ and _Vivian Grey_. The decade was prolific also in novels by
women. Jane Austen had died in 1817, but Maria Edgeworth, Lady Morgan,
the Porters, Amelia Opie, Miss Ferrier, Mrs. Shelley and Miss Mitford
were still writing; during this period, Mrs. S. C. Hall began her work
in imitation of Miss Mitford, while Mrs. Gore and Mrs. Bray took up the
goose-quill, piled reams of paper on their desks, and began their
literary careers.
Public-domain text, read in full here on John Shaqi.
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