Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
A large part of the three volumes is taken up with a characterisation of
Adrian and Lord Raymond, the latter of whom falls when fighting for the
Greeks. How impossible it was for her to rid her mind of her own sorrow
is shown at the end of the third volume, where Adrian is drowned, and
Lionel Verney is left alone. He thus says of his friend:
"All I had possessed of this world's goods, of happiness, knowledge, or
virtue--I owed to him. He had, in his person, his intellect, and rare
qualities, given a glory to my life, which without him it had never
known. Beyond all other beings he had taught me that goodness, pure and
simple, can be an attribute of man."
Mrs. Shelley made the great mistake of writing this novel in the first
person. _The Last Man_, who is telling the story, although he has the
name of Lionel, is most assuredly of the female sex. The friendship
between him and Adrian is not the friendship of man for man, but rather
the love of man and woman.
Mrs. Shelley's next novel, _Lodore_, written in 1835, thirteen years
after the death of her husband, had a better outlined plot and more
definite characters. But again it echoes the past. Lord Byron's unhappy
married relations and Shelley's troubles with Harriet are blended in the
story, Lord Byron furnishing the character in some respects of Lord
Lodore, while his wife, Cornelia Santerre, resembles both Harriet and
Lady Byron. Lady Santerre, the mother of Cornelia, augments the trouble
between Lord and Lady Lodore, and, contrary to the evident intentions of
the writer, the reader's sympathies are largely with Cornelia and Lady
Santerre. When Lodore wishes Cornelia to go to America to save him from
disgrace, Lady Santerre objects to her daughter's accompanying him:
"He will soon grow tired of playing the tragic hero on a stage
surrounded by no spectators; he will discover the folly of his conduct;
he will return, and plead for forgiveness, and feel that he is too
fortunate in a wife who has preserved her own conduct free from censure
and remark while he has made himself a laughing-stock to all."
These words strangely bring to mind Lord Byron as having evoked them.
Again Lady Lodore's letter to her husband at the time of his departure
to America reminds one of Lady Byron:
"If heaven have blessings for the coldly egotistical, the unfeeling
despot, may those blessings be yours; but do not dare to interfere with
emotions too pure, too disinterested for you ever to understand. Give me
my child, and fear neither my interference nor resentment."
Public-domain text, read in full here on John Shaqi.
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