Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period — John Shaqi
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
From the many references to her in the letters and journals of the
period, she seems to have been popular with the writers of both
political parties. Swift writes to Stella that she is a very generous
person "for one of that sort," which many little incidents prove. She
dedicated her play _Lucius_ to Steele, with whom she was on alternate
terms of enmity and friendship, as a public retribution for her ridicule
of him in the _New Atalantis_, saying that "scandal between Whig and
Tory goes for not." Steele, equally generous, wrote a prologue for the
play, perhaps in retribution for some of the harsh criticisms of her in
the _Tatler_. All readers of Pope remember the reference to her in the
_Rape of the Lock_, where Lord Petre exclaims that his honour, name and
praise shall live
As long as Atalantis shall be read.
Although Mrs. Manley's pen was constantly and effectively employed in
the interest of the Tory party, she being at one time the editor of the
_Examiner_, the Tory organ, none of her writings had the popularity of
the _New Atalantis_. It went through seven editions and was translated
into the French. The book has no intrinsic merit; its language is
scurrilous and obscene; but it appealed to the eager curiosity of the
public concerning the private immoralities of men and women who were
prominent at court. Human nature in its pages furnishes a contemptible
spectacle.
The _New Atalantis_ has now, however, assumed a permanent place in the
history of fiction. This species of writing had been common, in France,
but it was the first English novel in which political and personal
scandal formed the groundwork of a romance. Swift followed its general
plan in _Gulliver's Travels_, placing his political enemies in public
office in Lilliput and Brobdingnag, only he so wrought upon them with
his imagination that he gave to the world a finished work of art, while
Mrs. Manley has left only the raw material with which the artist works.
Smollett's political satire, _Adventures of an Atom_, was also suggested
by the _New Atalantis_, but here the earlier writer has surpassed the
later. All three of these writers took a low and cynical view of
humanity.
The women novelists who directly followed Mrs. Manley did not have her
strength, but they had a delicacy that has given to their writings a
subtle charm. From the time of Sarah Fielding to the present threatened
reaction the writings of women have been marked by chastity of thought
and purity of expression.
CHAPTER II
Sarah Fielding. Mrs. Lennox. Mrs. Haywood. Mrs. Sheridan
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