Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period — John Shaqi
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
It is not difficult to conjure up a picture of the literary gentlemen
and gentlewomen who used to breakfast with Richardson in the
summer-house at North End; the gentlemen in their many-coloured velvet
suits, the ladies wearing broad hoops, loose sacques, and Pamela hats.
One of these ladies was Charlotte Ramsay, better known by her married
name of Mrs. Lennox. Her father, Colonel James Ramsay, was
lieutenant-governor of New York, where his daughter Charlotte was born
in 1720. She was sent to England at the age of fifteen, and soon after
her father died, leaving her unprovided for. She turned her attention to
literature as a means of livelihood, and at once became a favourite in
the literary circles of London, where she met and won the esteem of the
great Dr. Johnson.
When her first novel, _The Life of Harriet Stuart_, was published, he
showed his appreciation of its author in a unique manner. At his
suggestion, the Ivy Lane Club and its friends entertained Mrs. Lennox
and her husband at the Devil's Tavern with a night of festivity. After
an elaborate supper had been served, a hot apple-pie was brought in,
stuffed full of bay-leaves, and Johnson with appropriate ceremonies
crowned the author with a wreath of laurel. The night was passed in
mirth and conversation; tea and coffee were often served; and not until
the creaking of the street doors reminded them that it was eight o'clock
in the morning did the guests, twenty in number, leave the tavern.
Mrs. Lennox's claim to a place in English literature rests solely upon
her novel, _The Female Quixote_, published in 1752. Arabella, the
heroine, is the daughter of a marquis who has retired into the country,
where he lives remote from society. Her mother is dead; her father is
immersed in his books, so that Arabella is left alone, and whiles away
the hours by reading the novels of Mademoiselle de Scudéri. Her three
great novels, _Clelia_, _The Grand Cyrus_ and _Ibrahim_, are historical
allegories, in which the France of Louis XIV is given an historical
setting, and his courtiers masquerade under the names of famous men of
antiquity. There is no attempt at historical accuracy. But to Arabella
these books represented true history and depicted the real life of the
world.
In a fine satirical passage Arabella informs Mr. Selvin, a man so
deeply read in ancient history that he fixed the date of any occurrence
by Olympiads, not years, that Pisistratus had been inspired to enslave
his country because of his love for Cleorante. Mr. Selvin wonders how
this important fact could have escaped his own research, and conceives a
great admiration for Arabella's learning.
Public-domain text, read in full here on John Shaqi.
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