Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
None of the characters, however, are pleasing. The hero, Mr. Trueworthy,
a combination of Tom Jones and Sir Charles Grandison, is a hypocrite.
The other male characters are insignificant. Miss Betsey, the heroine,
is almost charming. Conscious of her own innocence, she repeatedly
appears in a light that makes her worldly lover, Mr. Trueworthy, suspect
her virtue, until at last he begs to be released from his engagement to
her. The author of the book stands as a duenna at Miss Betsey's side,
and points out by the misfortunes of the heroine how foolish it is for
girls to ignore public opinion, and strives to inculcate the lesson
that a husband is the best protection for a young girl. We are properly
shocked at Miss Betsey's levity, who, although she had arrived at the
mature age of fourteen, cared not a straw for any of the gentlemen who
sought her hand, but liked to have them about her only because they
flattered her vanity or afforded her a subject for mirth. Miss Betsey's
gaiety, wit, and generosity would be very attractive--in fact, she is
quite an up-to-date young lady--but we see how much better she would
"get on" if she had a little more worldly wisdom. She is punished, as
she deserves to be, by losing her lover, and marries a man who makes her
very unhappy. Mr. Trueworthy, however, learns of her innocence; her
husband fortunately dies, and the author takes the bold step of uniting
the widow to her former lover, after a year of mourning and passing
through much suffering, brought upon herself by her own thoughtlessness.
She is rewarded, however, very much as Pamela was rewarded, by marrying
a man of honour, who had judged her formerly by his own conduct, being
too willing to believe by appearances that she had lost her chastity,
or, at least, had sullied her good name.
In this novel, Mrs. Haywood is very near the line that divides the
artist from the artisan. Like a young girl with good health and good
spirits, Miss Betsey is ever on the verge of sweeping aside the
prejudices of her duenna, and asserting her own individuality, but is
constantly held back by the sense of worldly propriety. Had Mrs. Haywood
permitted Miss Betsey to carry the plot whither she would without let or
hindrance, she would have won for herself an acknowledged place among
the heroines of fiction.
_The History of Miss Betsey Thoughtless_ was an epoch-making book. The
adventures of its heroine in the city of London took possession of the
imagination of Fanny Burney, while little more than a child, and led to
the story of _Evelina_, the forerunner of Jane Austen and her school.
* * * * *
Public-domain text, read in full here on John Shaqi.
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