Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
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Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
The success of the book was instantaneous. The name of the author, which
had been withheld even from the publishers, was eagerly demanded. All
agreed that only a man conversant with the world could have written such
accurate descriptions of life both high and low. The wonder was
increased when it was learned that the author was a young woman who had
drawn her scenes, not from a knowledge of the world, but from her own
intuition and imagination. Miss Burney became at once an honoured
member of the literary circle which Mrs. Thrale had gathered at
Streatham, and a favourite of Dr. Johnson, who declared that _Evelina_
was superior to anything that Fielding had written, and that some
passages were worthy of the pen of Richardson. The book was accorded a
place among English classics, which it has retained for over a century.
"It was not hard fagging that produced such a work as _Evelina_," wrote
Mr. Crisp to the youthful author. "It was the ebullition of true
sterling genius--you wrote it because you could not help it--it
came--and so you put it down on paper."
The novel, following the form so common in the eighteenth century, is
written in the form of letters. The plot is somewhat time-honoured;
there is the nurse's daughter substituted for the real heiress, and a
mystery surrounding some of the characters; it is unfolded slowly with a
slight strain upon the readers' credulity at the last, but it ends to
the satisfaction of all concerned. In many incidents and in some of the
characters the story suggests _Betsey Thoughtless_, but Miss Burney had
greater powers of description than Mrs. Haywood.
The plot of the novel is forgotten, however, in the lively, witty manner
in which the characters are drawn and the ludicrous situations in which
they are placed. So long had these men and women held the mind of the
author that they are intensely real as they are presented to us at
assemblies, balls, theatres, and operas, where we watch their oddities
with amusement.
Indeed no woman has given so many graphic, droll, and minute
descriptions of life as Miss Burney. Her genius in this respect is
different from that of other women novelists. She has made a series of
snap-shots of people in the most absurd situations and ridicules them
while she is taking the picture. Few women writers can resist the
temptation of peeping into the hearts of their men and women, and the
knowledge thus gained gives them sympathy, while it often detracts from
the strong lines of the external picture; a writer will not paint a
villain quite so black if he believes he still preserves some remnants
of a noble nature. But Miss Burney has no interest in the inner life of
her men and women. She saw their peculiarities and was amused by them,
and has presented them to the reader with minute descriptions and lively
wit.
Public-domain text, read in full here on John Shaqi.
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