Woman's Work in English Fiction, from the Restoration to the Mid-Victorian PeriodWhitmore, Clara Helen
History
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period
Whitmore, Clara Helen
English fiction -- Women authors -- History and criticism; Women and literature -- Great Britain -- History
In England, women entered the domain of literature later than in France,
Spain, or Italy. Not until the Restoration did they take any active part
in the world of letters; and not until the reign of George the Third did
they make any marked contribution to fiction.
The first woman writer of prose fiction in England was the thrice noble
and illustrious Princess Margaret, Duchess of Newcastle. During the
Commonwealth, the Duke and Duchess of Newcastle had lived in exile, but
with the restoration of Charles the Second, in 1660, they returned to
London, where the Duchess soon became a notable personage. Crowds
gathered in the park merely to see her pass, attracted partly by her
fame as a writer, partly by the singularities she affected. Her black
coach furnished with white curtains and adorned with silver trimmings
instead of gilt, with the footmen dressed in long black coats, was
readily distinguished from other carriages in the park. Her
peculiarities of dress were no less marked. Her long black
_juste-au-corps_, her hair hanging in curls about her bared neck, her
much beplumed velvet cap of her own designing, were objects of ridicule
to the court wits, who even asserted that she wore more than the usual
number of black patches upon her comely face.
More singular than her habiliments were her pretentions as a woman of
letters, which caused the courtiers to laugh at her conceit. She was
evidently aware of this failing as she writes in her _Autobiography_:
"I fear my ambition inclines to vain-glory, for I am very ambitious;
yet 't is neither for beauty, wit, titles, wealth, or power, but as they
are steps to raise me to Fame's tower, which is to live by remembrance
in after-ages."
But, notwithstanding her detractors, she received sufficient praise to
foster her belief in her own genius. Her plays were well received. Her
poems were declared by her admirers equal to Shakespeare's. Her
philosophical works, which she dedicated to the great universities of
Oxford and Cambridge, were accepted with fulsome flattery of their
author. When she visited the Royal Society at Arundel House, the Lord
President met her at the door, and, with mace carried before him,
escorted her into the room, where many experiments were performed for
her pleasure. In 1676, a folio volume was published, entitled _Letters
and Poems in Honour of the Incomparable Princess Margaret, Duchess of
Newcastle_, written by men of high rank and of learning, with the
following dedication by the University of Cambridge:
To Margaret the First:
Princess of Philosophers:
Who hath dispelled errors:
Appeased the difference of opinions:
And restored Peace
To Learning's Commonwealth.
Yet this praise was not all flattery, for the scholarly Evelyn always
speaks of her with respect, and after visiting her writes, "I was much
pleased with the extraordinary fanciful habit, garb, and discourse of
the Duchess."
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