Of the women who have attempted large choral works, there are several
besides those already mentioned. Baroness Bertha von Bruckenthal has
received high praise for her "Grand Messe Solennelle," and for some
four-voiced numbers with organ accompaniment. She has also written
pieces for violin, 'cello, voice, and piano. Angelica Henn, one of
Kalliwoda's best pupils, is credited with a "Missa Solemnis," also an
opera, "The Rose of Lebanon," and some songs and instrumental works.
Anna Pessiak-Schmerling, born in Vienna, was for many years teacher of
singing at the conservatory there, and won more than a local reputation
through the performance of her masses. Johanna Kinkel is responsible for
a "Bird Cantata," as well as an operetta and many popular songs. Hers
also is the well-known quartette, "The Soldier's Farewell." Agathe
Plitt, a child prodigy in her early years, is still an excellent
pianist, and has entered the lists in composition with a number of
successful cantatas, psalms, motets, and other sacred works. Hermine
Amersfoodt-Dyck won fame by producing the cantata, "Gottes
Allgegenwart."
In the operatic field, Josepha Mueller-Gallenhofer, born at Vienna in
1770, seems the pioneer. Besides her opera, "Der Heimliche Bund," she
published a string quartette and many pieces for the harp, upon which
she was an excellent performer. Caroline Wiseneder, of Brunswick,
deserves notice for her aid to the blind, for whom she started a
successful music school. Her two operas and several melodramas were
published after her death. Auguste Goetze, born at Weimar in 1840, grew
up to success as a singer of German _Lieder_, and founded an opera
school at Dresden. Of her operas, "Susanna Monfort," "Magdalena," and
"Eine Heimfahrt," have been frequently performed. Elise Schmezer has
composed the opera "Otto der Schuetz," besides a number of songs. Thekla
Griebel has had her opera, "Schoen Karen," produced twice within recent
years. Elise Bachmann published a melodrama, "Die Macht der Musik," also
some songs and piano pieces in popular vein. Among less important works,
the Countess of Ahlefeldt issued the ballet, "Telemach und Calypso," in
1794. Julie von Pfeilschifter, born in 1840, is author of the grand
ballet, "Voeglein's Morgengruss" and the dramatic _scena_, "Agneta,"
which have pleased Wiesbaden audiences; also a number of piano
selections and songs.
Public-domain text, read in full here on John Shaqi.
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