Woman—through a man's eyeglassSalaman, Malcolm C. (Malcolm Charles)
General
Woman—through a man's eyeglass
Salaman, Malcolm C. (Malcolm Charles)
Single women; Wives -- Anecdotes; Women -- Anecdotes; Women -- Social and moral questions
It did not take long to prove to Mr. and Mrs. Neuralys that they were
temperamentally ill-suited to one another. Her illusions as to his
ancient race had worn off, and she found him similar in manner and
habit to any other ordinary young English gentleman of University
education and a comfortable worldly position for which others had
worked. But perhaps he was more full of ideals than most young men
of the day, and some of these ideals she proved impracticable for
him, notably that concerning the absolute union of a man and woman
in love. She was disappointed in his Judaism, which had nothing
mysterious or sensuous in it, and she seemed gradually to display
personal indifference towards him, because he loved her uxoriously, and
entertained patriarchal views with regard to conjugal life. She by no
means falls in with these views, on the contrary she has asserted her
individual liberty at all points, and though she was never one of those
women who must love to live, she has ever held the opinion that for
a woman to be interesting she must always be adored by more than her
husband. She says that the adoration of a lover preserves her youth,
and as she loves herself too much to fall really in love, and expresses
only a kind of sympathetic scorn for those women who love “not wisely
but too well,” it may be supposed that she is still on the right side
of the marriage contract. Anyhow her husband has faith in her to this
extent, for it is a kind of racial instinct with Jews to believe in
the purity of their wives, and though Reuben Neuralys has individually
ceased to observe the ancient ceremonials of his creed his racial
feelings continue very strong. So he has never a fear of the Divorce
Court, although he has realised his wife’s sensuous craze for novelty
simply because it is novelty, and discovered that she is pretending to
be always in love, first with one man who has superficially inducted
her into the mysteries of Esoteric Buddhism, then with another who has
engaged her fancy with Ibsen, Schopenhauer and the Fabian Essays, and
anon with a third who has persuaded her that all pleasure is Pagan,
and that pure Hedonism can alone make the world beautiful. As it is
only in the nature of things that the cause of each of these successive
loves should prepare some distrust of the next, Reuben Neuralys,
knowing his wife’s temperament, regards these as extra safeguards
rather than as dangers. Moreover, since he has ceased to expect from
her that complete companionship and passionate sympathy he had hitherto
regarded, in his idealistic way, as the natural bonds of married life,
he has accustomed himself to look for these elsewhere. And she more
than suspects this—and does not care. “Poor fellow,” she says, and
laughs. She is a _fin-de-siècle_ wife, you know.
Public-domain text, read in full here on John Shaqi.
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