Woman—through a man's eyeglassSalaman, Malcolm C. (Malcolm Charles)
General
Woman—through a man's eyeglass
Salaman, Malcolm C. (Malcolm Charles)
Single women; Wives -- Anecdotes; Women -- Anecdotes; Women -- Social and moral questions
Now Mrs. Brown-Smith, as she was then called, always had an eye to
business, and, when her husband died, she bethought her of Euterpe’s
singing powers for support; so, by fanning her daughter’s vanity
in every particular, she encouraged her to study hard and win
scholarships, until at the students’ concert she attracted the notice
of the professors, the press, and the concert-agents, and thereupon
obtained her first professional engagement. She was a success with the
public, and gradually her engagements became more frequent, and of a
better and more lucrative class, until her name has now become familiar
in concert-halls and drawing-rooms.
And now Miss Euterpe Diatone and her mother reside in a flat in the
West-end, and give pleasant “afternoon teas,” and are seen in many
places honoured of Society. Miss Diatone is really a bright and
engaging girl in her way, and if she wears her profession perpetually
on her sleeve, so to speak, perhaps she finds it consistent with her
advancement. But though Miss Diatone be welcome in many drawing-rooms,
both socially and professionally, the same can hardly always be said of
her mother; yet poor Euterpe is in the same case with Mary who had a
little lamb, for wherever Miss Diatone goes her mother is sure to go.
If they happen to be on a visit at a country house, and a driving party
is being made up for the young folk, while the elderly ladies are to
stay at home, Madame Brown-Smith disconcerts everybody by asking where
she is to sit, and, of course, she takes the very seat which had been
set apart for the belle of the party. Then Miss Diatone has quietly to
apologise for “poor Ma, who does so love the country,” the while she
is boiling with indignation that her mother has probably spoiled her
chance of a future invitation. Yes, her mother is certainly a trial;
but if Euterpe attempted to protest that people may invite a young
singer without necessarily wanting her mother, Madame Brown-Smith would
only accuse her of ingratitude and want of feeling. What then can she
do? But they have frequent quarrels, owing to Miss Diatone’s egotism
and her mother’s aggressiveness, which come into conflict.
The subject of young men is one perhaps most fruitful of quarrels.
Euterpe Diatone, though she finds much pleasure and gratification in
the applause of the public, and much profit to boot, is essentially
a woman, and her vanity cries also for the satisfaction of personal
conquest. Consequently there is no over-looking the fact that she is an
unconscionable flirt of a kind that is very popular with men, while at
the same time she always keeps an eye open to the chances of matrimony,
and to the advancement of her popularity. She has a very taking manner
with both men and women, but with men she will assume a sauciness that
leads them to suppose they may be familiar. Then she will at once
stand on her dignity, and command their personal respect, after which
she will relapse again, and completely puzzle them.
Public-domain text, read in full here on John Shaqi.
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