Married people -- Fiction; Suburban life -- Fiction; Women -- Fiction
“You mean you think I don’t look——”
He interrupted earnestly. “I’m afraid it’s too soon for you to let me
tell you how I think you look. But you do laugh at my names, don’t you?”
“No; they don’t seem funny to me.”
“Don’t you ever laugh except when things are funny?” he asked.
“Yes, I do,” she said. “I’ve laughed thousands of times when everything
was horribly unfunny.”
“Then why did you laugh?”
For an instant she looked at him gravely. “To try to be ‘popular,’” she
said.
Plainly he thought this funny enough for laughter. “That _is_ a joke!”
he said. “But if laughing makes you any more ‘popular’ than you would be
without it, I hope for this one evening at least you’ll be as solemn as
an obelisk.”
Of course Elsie said, “Why?”
“Because if you laugh I won’t get to see anything of you at all. I’m
afraid I won’t anyhow.”
He spoke with gravity, meaning what he said; and the event proved his
fear justified. He got halfway round the country club ballroom with her,
after the theatricals, a surprising number of times, but seldom much
farther. However, he conclusively proved his possession of that
admirable quality, dogged persistence, and so did the other young
gentlemen of the dinner party. So did more than these, including
probably a majority of the men and youths, married or single, present
that evening at the Blue Hills Club.
Elsie wondered when the spell would break. It seemed impossible that she
wouldn’t be found out presently as a masquerader and dropped into her
old homelike invisibility. But whether the break came or not, she knew
she would never again be so miserable as she had been, because she was
every moment more and more confidently daring to know that she was
beautiful. She laughed at a great many things that weren’t funny during
this gracious evening; for laughter may spring as freely from excited
happiness as from humour; but she made no effort to be noisy—noisiness
appeared to be not a necessity at all, but superfluous. And what pleased
her most, the girls were “nice” to her, too, as she defined their
behaviour;—they formed part of the clusters about her when the music
was silent, and they eagerly competed to arrange future entertainment
for her. Elsie loved them all, these strange, adorable people who had
not seen the wrong thing about her.
The old walls built round her by her own town, enclosing her with such
seeming massive permanence and so tightly, now at a stroke proved to be
illusion; she was discovering that they were but apparitions all unreal,
and that this world is mysterious and can be happily so. Something of
its humorous mysteries in dealing with young hearts another person, near
her, also learned that night; for Cornelia Cromwell, by coincidence, had
a queer experience of her own.
Public-domain text, read in full here on John Shaqi.
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