Women artists in all ages and countriesEllet, E. F. (Elizabeth Fries)
History
Women artists in all ages and countries
Ellet, E. F. (Elizabeth Fries)
Women artists
Whatever difference of opinion there may be respecting the genius and
works of this sculptress, there can be none in pronouncing her an
extraordinary woman. She would have been called “strong-minded” in
our day, for she sent a friendly message to Napoleon on the eve of
Waterloo, canvassed an election for Fox, and entertained Queen Caroline
during her trial! In her estimation, genius and generous impulse were
above the conventionalities of birth and fashion. It is difficult
to estimate fairly the productions of a favored child of wealth and
splendor, and one eminent for learning and wit. Her works have been
severely criticised, and those who most admire her independent career,
are disposed to deny her the possession of great originality and such
a practical knowledge of art as would enable her to finish with a
good degree of perfection. It has been remarked, however, that her
conception was generally superior to her execution.
CHAPTER XIII.
THE EIGHTEENTH CENTURY.
Mary Moser.--Nollekens’ House.--Skill in Flower-painting.--The
Fashions.--Queen Charlotte.--Patience Wright.--Birth
in New Jersey.--Quaker Parents.--Childish Taste for
Modeling.--Marriage.--Widowhood.--Wax-modeling.--Rivals
Madame Tussaud.--Residence in England.--Sympathy with America
in Rebellion.--Correspondence with Franklin.--Intelligence
conveyed.--Freedom of Speech to Majesty.--Franklin’s Postscript.--“The
Promethean Modeler.”--Letter to Jefferson.--Patriotism.--Art the
Fashion.--Aristocratic lady Artists.--Princesses Painting.--Lady
Beauclerk.--Walpole’s “Beauclerk Closet.”--Designs and Portrait.--Lady
Lucan.--Her Illustrations of Shakspeare.--Walpole’s Criticism.--Other
Works.--Mary Benwell and others.--Anna Smyters and others.--Madame
Prestel.--Mrs. Grace.--Mrs. Wright.--Flower-painters.--Catherine Read
and others.--Maria Cosway.--Peril in Infancy.--Lessons.--Resolution
to take the Veil.--Visit to London.--Marriage.--Cosway’s
Painting.--Vanity and Extravagance.--The beautiful Italian
Paintress.--Cosway’s Prudence and Management.--Brilliant
evening Receptions.--Aristocratic Friends.--The Epigram on the
Gate.--Splendid new House and Furniture.--Failing Health.--France
and Italy.--Institution at Lodi.--Singular Occurrence.--Death of
Cosway.--Return to Lodi.--Maria’s Style and Works.
MARY MOSER.
This lady, a member of the Royal Academy in London, is mentioned by the
biographers of Nollekens as “skillful in painting flowers, sarcastic
when she held the pen.” She liked to visit the illiterate Nollekens, at
whose house, with a cup of tea, she occasionally enjoyed the company of
Dr. Johnson. Smith does not hesitate to charge her with having set her
cap at Fuseli, “but his heart, unfortunately, had already been deeply
pierced by Angelica Kauffman.”
Public-domain text, read in full here on John Shaqi.
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