Women artists in all ages and countriesEllet, E. F. (Elizabeth Fries)
History
Women artists in all ages and countries
Ellet, E. F. (Elizabeth Fries)
Women artists
Her inability to procure models at home also suggested to her
another expedient, the adoption of which shows how earnest was her
determination to overcome the obstacles poverty had placed in the way
of her studies. The slaughtering and preparing of animals for the
Paris market is confined to a few _abattoirs_, great establishments
on the outskirts of the city, placed under the supervision of the
municipal authorities. Each of these establishments contains extensive
inclosures, in which are penned thousands of lowing and bleating
victims, waiting their turn to be led to the shambles. To one of
these--the _abattoir du Roule_--had Rosa the courage to go daily for
many months, surmounting alike the repugnance which such a locality
naturally inspired, and her equally natural hesitation to place herself
in contact with the crowd of butchers and drovers who filled it. Seated
on a bundle of hay, with her colors beside her, she painted on from
morning till dusk, not unfrequently forgetting the bit of bread in
her pocket, so absorbed would she become in the study of the varied
types that rendered the courts and stables of this establishment
so invaluable a field of observation for her. Not content with
drawing the occupants of the _abattoir_ in their pens, far from the
sickening horror of the shambles, she felt the necessity of studying
their attitudes under the terror and agony of the death-stroke, and
compelled herself to make repeated visits to the slaughter-house;
looking on scenes whose repulsiveness was rendered doubly painful
to her by her affectionate sympathy with the brute creation. In the
evening, on her return home, her hands, face, and clothes were usually
spotted all over by the flies, so numerous wherever animals are
congregated. Such was the respect with which she inspired the rude
companions by whom she was surrounded, and who would often beg to see
her sketches, which they regarded with the most naïve admiration, that
nothing ever occurred to annoy her in the slightest degree during her
long sojourns in the crowded precincts of the _abattoir_.
Public-domain text, read in full here on John Shaqi.
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