Women artists in all ages and countriesEllet, E. F. (Elizabeth Fries)
History
Women artists in all ages and countries
Ellet, E. F. (Elizabeth Fries)
Women artists
After she had ceased to visit this establishment, she frequented in
a similar manner the stables of the Veterinary School of Alfort, and
the animals and museums of the Garden of Plants. She also resumed her
sketching rambles in the country, and resorted diligently to all the
horse and cattle fairs held in the neighborhood of Paris. On the latter
occasions she invariably wore male attire; a precaution she found it
necessary to adopt, as a convenience, and still more, as a protection
against the annoyances that would have rendered it impossible for her
to mingle in such gatherings in feminine costume. In her masculine
habit Rosa had so completely the look of a good-hearted, ingenuous
boy, that the graziers and horse-dealers, whose animals she drew,
would frequently insist on “standing treat” in a _chopine_ of wine, or
a _petit verre_ of something stronger, to the “clever little fellow”
whose skillful portrayal of their beasts had so much delighted them;
and it sometimes required all her address and ingenuity to escape
from their well-meant persecutions. Her good looks, too, in the
assumed character of a youth of the sterner sex, would sometimes make
sad havoc in the susceptible hearts of village dairy-maids. Some
laughable incidents might be related under this head. In her subsequent
explorations of the romantic regions at either foot of the Pyrenees,
the passion with which she has unwittingly inspired the black-eyed
Phœbes of the south has more than once proved a source of serious
though comical embarrassment to the artist, desirous above all things
to maintain impenetrably the secret of her disguise.
The young artist’s studies were not confined to the exterior forms of
her models. She procured the best anatomical treatises and plates,
with casts and models of the different parts of the human frame, and
studied them thoroughly; she then procured legs, shoulders, and heads
of animals from the butchers, carefully dissecting them, and thus
obtaining an intimate knowledge of the forms and dependencies of the
muscles whose play she had to delineate.
Public-domain text, read in full here on John Shaqi.
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