Women artists in all ages and countriesEllet, E. F. (Elizabeth Fries)
History
Women artists in all ages and countries
Ellet, E. F. (Elizabeth Fries)
Women artists
Such occupations might be pursued in the strict seclusion of home,
to which custom and public sentiment consigned the fair student. Nor
were they inharmonious with the ties of friendship and love to which
her tender nature clung. In most instances women have been led to
the cultivation of art through the choice of parents or brothers.
While nothing has been more common than to see young men embracing
the profession against the wishes of their families and in the face
of difficulties, the example of a woman thus deciding for herself is
extremely rare.
We know little of the practice of the arts by women in ancient times.
The degraded condition of the sex in Eastern countries rendered woman
the mere slave and toy of her master; but this very circumstance gave
her artistic ideas capable of development into independent action.
These first showed themselves in the love of dress and the selection of
ornaments. From the early ages of the world, too, spinning and weaving
were feminine employments, in which undying germs of art were hidden;
for it belongs to human nature never to be satisfied with what merely
ministers to necessity. The ancient sepulchres and buried palaces
disclosed by modern discovery display the love of adornment prevailing
among the nations of antiquity. Women rendered assistance in works upon
wood and metal, as well as, more frequently, in the productions of the
loom. The fair Egyptians covered their webs with the most delicate
patterns; and the draperies of the dead and the ornamented hangings in
their dwellings attested the skill of the women of Assyria and Babylon.
The shawls and carpets of Eastern manufacture, and other articles of
luxury that furnished the palaces of European monarchs, were often the
work of delicate hands, though no tradition has preserved the names of
those who excelled in such labors.
Among the ancient Greeks the position of woman, though still secluded
and slavish, gave her a nobler life. The presiding deities of the
gentle arts were represented to popular apprehension in female form,
and, doubtless, the gracious influence the sex has in all ages
exercised was then in some measure recognized. Poetry had her fair
votaries, and names are still remembered that deserve to live with
Sappho. Schools of philosophy were presided over by the gifted and
cultivated among women.
Public-domain text, read in full here on John Shaqi.
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