Women artists in all ages and countriesEllet, E. F. (Elizabeth Fries)
History
Women artists in all ages and countries
Ellet, E. F. (Elizabeth Fries)
Women artists
No attempt has been made in the following pages to give elaborate
critiques or a connected history of art. The aim has been simply
to show what woman has done, with the general conditions favorable
or unfavorable to her efforts, and to give such impressions of the
character of each prominent artist as may be derived from a faithful
record of her personal experiences. More may be learned by a view
of the early struggles and trials, the persevering industry and the
well-earned triumphs of the gifted, than by the most erudite or
fine-spun disquisition. Should the perusal of my book inspire with
courage and resolution any woman who aspires to overcome difficulties
in the achievement of honorable independence, or should it lead to
a higher general respect for the powers of women and their destined
position in the realm of Art, my object will be accomplished.
E. F. E.
CONTENTS.
CHAPTER I.
THE EARLY AGES.
Women in Art.--Kind of Painting most practiced by them.--Feminine
Employments in early Ages.--The fair Egyptians.--Women of Assyria and
Babylon.--Grecian Women.--Sculpture and Painting in Greece.--The
Daughter of Dibutades.--The Lover’s Profile.--The first
Bas-relief.--Timarata.--Helena.--Anaxandra.--Kallo.--Cirene.--Calypso.
--Other Pupils of Grecian Art.--The Roman
Women.--The Paintress Laya.--Lala.--Influence of Christianity
on Art.--Adornment rejected by the early Christians.--Art degraded
for Centuries.--Female Influence among the Nations that
rose on the Ruins of Rome.--Wise and clever Princesses.--Anna
Comnena.--The first Poetess of Germany.--The first Editress of a
Cyclopædia.--The Art of Illuminating.--Nuns employed in copying
and painting Manuscripts.--Agnes, Abbess of Quedlinburg.--Princesses
at work.--Convent Sisters copying and embellishing religious
Works.--The Nuns’ Printing-press.--The first Sculptress, Sabina
von Steinbach.--Her Works in the Cathedral of Strasburg.--Elements
that pervade the Sculpture of the Middle Ages.--Painting
of the Archbishop crowning Sabina. Page 21
CHAPTER II.
THE FIFTEENTH CENTURY.
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