Women artists in all ages and countriesEllet, E. F. (Elizabeth Fries)
History
Women artists in all ages and countries
Ellet, E. F. (Elizabeth Fries)
Women artists
Her independence of manner and character, joined to the fact of her
entering the college as a student, could not fail to bring down
animadversion, and many were the tales fabricated and circulated anent
the young New Englander, who was said to carry pistols in her belt, and
to be prepared to take the life of any one who interfered with her. It
was, perhaps, no disadvantage, under the circumstances, to be protected
by such a character. The college stood some way from the inhabited
part of the town, and in early morning and late evening, going to and
fro with the other students, it is not impossible that she owed the
perfect impunity with which she set conventionality at defiance to the
character for courage, and skill in the use of fire-arms which attended
her.
Dr. M‘Dowell, charmed with the talent and earnestness of his pupil,
afforded her every facility in his power, giving her the freedom of the
college at all times, and occasionally bestowing upon her a private
lecture when she attended to see him preparing dissections for the
public ones. Pleasant and encouraging it is to find men of ability
and eminence so willing to help a woman when she is willing to help
herself. The career of this young artist hitherto has been marked by
the warm and generous encouragement of first-rate men, from Professor
M‘Dowell to John Gibson, and pleasant it is to find the affectionate
and grateful appreciation of such kindness, converting the temporary
tie of master and pupil into the permanent one of tried and valued
friendship. “I remember Professor M‘Dowell,” writes Miss Hosmer, “with
great affection and gratitude, as being a most thorough and patient
teacher, as well as at all times a good, kind friend.”
Through the winter and spring of 1851, in fact, during the whole
term, Harriet Hosmer prosecuted her studies with unremitting zeal
and attention, and at the close was presented with a “diploma,” or
certificate, testifying to her anatomical efficiency. During her stay
at St. Louis, and as a testimony of her gratitude and regard, Miss
Hosmer cut, from a bust of Professor M‘Dowell by Clevenger, a medallion
in marble, life size, which is now in the museum of the College. It is
perhaps worthy of note that Clevenger and Powers both studied anatomy
under this professor.
Public-domain text, read in full here on John Shaqi.
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