Women artists in all ages and countriesEllet, E. F. (Elizabeth Fries)
History
Women artists in all ages and countries
Ellet, E. F. (Elizabeth Fries)
Women artists
The “diploma” achieved, our young aspirant was bent upon seeing New
Orleans before returning to her New England home. It was a season
of the year not favorable for such travel, and, from some cause or
another, she failed in inducing any of her friends to accompany her. To
will and to do are synonymous with some; and so, Harriet Hosmer having
set her mind upon an excursion down the Mississippi to the Crescent
City, embarked herself one fine morning on board a steamer bound for
New Orleans. The river was shallow, the navigation difficult; many a
boat did our adventurous traveler pass high and dry; but fortune, as
usual, was with her, and she reached her destination in safety. The
weather was intensely warm, but, nothing daunted, our young friend
saw all that was to be seen, returning at night to sleep on board the
steamer as it lay in its place by the levee, and, at the expiration
of a week, returning with it to St. Louis. Arrived there, instead of
rejoining her friends, she took boat for the Falls of St. Anthony,
on the Upper Mississippi, stopping, on the way, at Dubuque, to visit
a lead mine, into which she descended by means of a bucket, and came
very near an accident which must inevitably have resulted fatally; a
catastrophe which, as no one knew where she was, would probably have
remained a secret forever. At the Falls of St. Anthony, she went among
the Indians, much to their surprise and amusement, and brought away
with her a pipe, presented by the chief, in token of amity. She also
achieved the ascent of a mountain never before undertaken by a female;
and so delighted were the spectators with her courage and agility,
that they insisted upon knowing her name, that the mountain might
thenceforth be called after her. In a subsequent visit to St. Louis,
Miss Hosmer found that her rustic admirers had been as good as their
word, and “Hosmer’s Height” remains an evidence of “the little lady’s”
ambition and courage.
On her return to St. Louis, where her prolonged absence had created no
little uneasiness, she remained but a short time, and, bidding farewell
to her kind friends, retraced her steps homeward.
This was in the autumn of 1851. No sooner had Harriet Hosmer reached
home than she set to work to model an ideal bust of Hesper, continuing
her anatomical studies with her cousin, and employing her intervals of
leisure and rest in reading, riding, and boating. Now followed a period
of earnest work, cheered and inspired by those visions of success,
of purpose fulfilled, of high aims realized, which haunt the young
and enthusiastic aspirant, and throw a halo round the youthful days
of genius, lending a color to the whole career. As Lowell wisely and
poetically says,
“Great dreams preclude low ends.”
Public-domain text, read in full here on John Shaqi.
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