Women in English Life from Mediæval to Modern Times, Vol. IHill, Georgiana
History
Women in English Life from Mediæval to Modern Times, Vol. I
Hill, Georgiana
Women -- Great Britain; Women -- History; Women -- Social conditions
It was the attitude in which women were regarded that affected their
position more than the actual existence of repressive or deteriorating
customs. And to public opinion the great lady was both more susceptible
and more subject than other women, for she lived with all eyes upon
her. Without a great deal of moral courage she could not step out of
her bounds or revolt against the conditions of her life. A narrow
mental horizon, a cramping education, united with wealth and high
place, were not favourable to the evolution of women, morally or
intellectually. In the eighteenth century women moved in a circle, from
the meshes of which they were not freed until the present century had
run half its course.
With all the elaborate airs and dress which prevailed in the eighteenth
century there was a coarseness of taste and behaviour which is in
odd contrast to the exaggerated politeness affected by _beaux_ and
_élégantes_. There seems a good foundation for Walpole’s description
of the gaiety of the women as “an awkward jollity.” The diversions
of the great ladies read strangely to our modern ears. What would
be thought now of dukes and duchesses going about London with their
friends in hired vehicles to see the sights? But in the spring of 1740,
the Duke and Duchess of Portland organized a jaunt (as one of the party
described it) to the City to see the City show-places. There were four
ladies and four gentlemen, and they set out at ten o’clock in the
morning in a couple of hackney coaches, made a comprehensive tour, and
wound up by dining at a City tavern. “I never spent a more agreeable
day,” writes one of the ladies of the party.
The fashionable diversions, balls and routs, were repeated over and
over again at every watering-place.
“Pleasure with an English lady is a capital and rational
affair. A party at Bath is perhaps the fruit of six months’
meditation and intrigue: she must feign sickness, gain over the
servants, corrupt the physician, importune an aunt, deceive a
husband, and in short have recourse to every artifice in order
to succeed, and the business at last is to get fully paid for
all the pains that have been taken. Pleasure is so much the
more attractive to the English women as it is less familiar and
costs them more to obtain. Melancholy persons feel joy more
sensibly than those who are habituated to it.”[70]
Public-domain text, read in full here on John Shaqi.
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