It was probably during this period of residence in Paris that he first
met Madame de Berny, she who was later to wield so great an influence
over him and who held first place in his heart until their separation
in 1832. Probably at this same period, too, he met Zulma Tourangin, a
schoolmate of his sister Laure, and who, as Madame Carraud, was to
become his life-long friend. Of all the friendships that Balzac was
destined to form with women, this with Madame Carraud was one of the
purest, longest and most beautiful.
Having attained his majority and finished his legal studies, Balzac
was requested by his father to enter the office of M. Passez and
become a business man, but the life was so distasteful to him that he
objected and asked permission to spend his time as best he might in
developing his literary ability, a request which, in spite of the
opposition of the family, was finally granted for a term of two years.
He was accordingly allowed to establish himself in a small attic at
No. 9 rue Lesdiguieres, while his family moved to Villeparisis.
His father's weakness in thus giving in to his son was most irritating
to Balzac's mother, who was endowed with the business faculties so
frequently met with among French women. She was convinced that a
little experience would soon cause her son to change his mind. But he,
on his part, ignored his hardships. He began to dream of a life of
fame. In his garret, too, he began to develop that longing for luxury
which was to increase with the years, and which was to cost him so
much. At this time, he took frequent walks through the cemetery of
Pere-Lachaise around the graves of Moliere, La Fontaine and Racine. He
would occasionally visit a friend with whom he could converse, but he
usually preferred a sympathetic listener, to whom he could pour out
his plans and his innermost longings. Otherwise his life was as
solitary as it was cloistered. He confined himself to his room for
days at a time, working fiercely at the manuscript of the play,
/Cromwell/, which he felt to be a masterpiece.
This work he finished and took to his home for approval in April,
1820. What must have been his disappointment when, certain of success,
he not only found his play disapproved but was advised to devote his
time and talents to anything except literature! But his courage was
not daunted thus. Remarking that /tragedies/ appeared not to be in his
line, he was ready to return to his garret to attempt another kind of
literature, and would have done so, had not his mother, seeing that he
would certainly injure his health, interposed; and although only
fifteen months of the allotted two years had expired, insisted that he
remain at home, and later sent him to Touraine for a much needed rest.
Public-domain text, read in full here on John Shaqi.
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