One must be a scholar to understand Balzac; his style and manner of
writing is often so heavy and so difficult to follow, reminding one
more of that of a professor than of a novelist. And indeed he would
have been very angry to be considered only as a novelist, he who
aspired and believed himself to be, as he expressed it one day in the
course of a conversation with Madame Hanska, before she became his
wife, "a great painter of humanity," in which appreciation of his work
he was not mistaken, because some of the characters he evoked out of
his wonderful brain remind one of those pictures of Rembrandt where
every stroke of the master's brush reveals and brings into evidence
some particular trait or feature, which until he had discovered it,
and brought it to notice, no one had seen or remarked on the human
faces which he reproduced upon the canvas. Michelet, who once called
St. Simon the "Rembrandt of literature," could very well have applied
the same remark to Balzac, whose heroes will live as long as men and
women exist, for whom these other men and women whom he described,
will relive because he did not conjure their different characters out
of his imagination only, but condensed all his observations into the
creation of types which are so entirely human and real that we shall
continually meet with them so long as the world lasts.
One of Balzac's peculiarities consisted in perpetually studying
humanity, which study explains the almost unerring accuracy of his
judgments and of the descriptions which he gives us of things and
facts as well as of human beings. In his impulsiveness, he frequented
all kinds of places, saw all kinds of people, and tried to apply the
dissecting knife of his spirit of observation to every heart and every
conscience. He set himself especially to discover and fathom the
mystery of the "eternal feminine" about which he always thought, and
it was partly due to this eager quest for knowledge of women's souls
that he allowed himself to become entangled in love affairs and love
intrigues which sometimes came to a sad end, and that he spent his
time in perpetual search of feminine friendships, which were later on
to brighten, or to mar his life.
Public-domain text, read in full here on John Shaqi.
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