The Anglo-Saxons understood the art of inlaying enamel, and their colors were remarkably bright and enduring. But the most striking evidence of proficiency in the jeweller's art was their _cloisonné_ ware. This art of the East was spread by the barbarian invasions over the whole of Europe; De Baye, in his _Industrial Arts of the Anglo-Saxons_, calls it "the first æsthetic expression of the Gothic nations," and says that it was not borrowed, but was adapted from the East. He describes it as follows: "This _cloisonné_ work, set with precious stones in a kind of mosaic, and combined at times with the most delicate filigree, is sufficiently characteristic to be remarkable in every country where it has left traces." This beautiful form of art penetrated Kent and the Isle of Wight, where for some reason it became localized and assumed a particular character. Some of the fibulæ that have been preserved to us, and are to be found in the art collections of England, are remarkable specimens of this beautiful craft. The love of English women for outdoor sports can be traced to Anglo-Saxon times, and much of the wholesome vigor of the race is due to those early pastimes. However fond women may have been of fine ornaments, then as now it was the privilege of the few to possess them; but the national sports were enjoyed by all. Hunting, hawking, boating, swimming, fishing, skating, were in great favor with the people. In the winter there were many long hours to be whiled away indoors, and although spinning and weaving the fabrics for the family wear, as well as their embroidery and lace work, took up much of the time, the women still had ample leisure to engage with the members of their households and, perhaps, the passing guests in the many simple games that delighted them. Chess was in marked favor, and was played in much the same manner as now. The exchange of witticisms and the guessing of conundrums added much to the innocent mirth of a household intent on making the long evenings pass as pleasantly as possible.