Women of History: Selected from the Writings of Standard AuthorsVarious
History
Women of History: Selected from the Writings of Standard Authors
Various
Women -- Biography
Yet these marks of an attachment so pure and unobtrusive, and which he
had so often struggled to subdue, were repressed by the coldness of
Laura, who, to preserve her lover, cautiously abstained from giving the
least encouragement to his love. She avoided his presence, except at
church, in the brilliant levees of the papal court, or in the country,
where, surrounded by her friends, she is described by Petrarch as
exhibiting the semblance of a queen, prominent amongst them all in the
grace of her figure and the brilliancy of her beauty. It does not appear
that, in the whole course of these twenty years, the poet ever addressed
her unless in the presence of witnesses. An interview with her alone
would surely have been celebrated in a thousand verses; and as he has
left us four sonnets on the good fortune he enjoyed in having an
opportunity of picking up her glove, we may fairly presume that he would
not have passed over in silence so happy a circumstance as a private
interview.
There is no poet in any language so perfectly pure as Petrarch, so
completely above all reproach of levity and immorality; and this merit,
which is equally due to the poet and his Laura, is still more remarkable
when we consider that the models which he followed were by no means
entitled to the same praise. The verses of the troubadours and the
trouveres were very licentious. The court of Avignon, at which Laura
lived--the Babylon of the West, as the poet himself often terms it--was
filled with the most shameful corruption; and even the popes, more
especially Clement V. and Clement VI., had afforded examples of great
depravity. Indeed, Petrarch himself, in his intercourse with other
ladies, was by no means so reserved. For Laura he had conceived a sort
of religious and enthusiastic passion, such as mystics imagine they feel
towards the Deity, and such as Plato supposes to be the bond of union
between elevated minds. The poets who have succeeded Petrarch have
amused themselves with giving representations of a similar passion, of
which, in fact, they had little or no experience.
"How jeering crowds have mocked my love-lorn woes;
But folly's fruits are penitence and shame,
With this just maxim, I've too dearly bought--
That man's applause is but a transient dream."
THE COUNTESS OF RICHMOND.
[1495.]
TYTLER.
Public-domain text, read in full here on John Shaqi.
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