The _bizarre_ is again to be found prevailing even over form on the
Mongolian borderland of Northern India. In Nepal, whence come the brave
Gurkha soldiers of our wars, dress, like the shape and decoration of
the wooden temples of the people, has in it something alien to the
normal lines of Aryan and Indian womanhood. And the strangeness is
heightened by the quaintness of the jewelry and the uncut turquoises in
which they delight.
But in most of India proper the essence of dress is simple. Shoes are
not in general worn, though loose wide slippers of velvet or of leather
may be sometimes seen. The natural result is that the foot retains
a beauty which can never be expected when it is cramped by constant
pressure. The working woman, tramping miles along the roads or over
fields, with heavy burdens on her head or her child upon the hip,
loses of course too quickly the springing instep and sinks to a flat
and sprawling foot. But in the higher classes, or among the womanhood
whom caste preserves in a moderate seclusion, the foot is small,
well-curved, and light. It is a thing of infinite fascination, tinted
perhaps with the henna’s pink, almost like a flower. Even aged women
there are to be seen, their faces worn and wrinkled, who still have the
unspoilt feet of youth and well-born blood. Among the richer ladies of
the greater cities, where it is smart to be “advanced,” Parisian shoes
and silken stockings are nowadays worn, at least out of doors--a habit
enforced by the security thus gained against plague infection; but the
greater number still preserves the foot free and beautiful.
Public-domain text, read in full here on John Shaqi.
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