thin shadow of a spectre. But she knows the man whose love is as a robe of purple or a diadem of rubies cannot be for her alone, wholly hers. [Illustration: FISHER WOMAN OF SIND] To the woman, however, marriage is the incident of all incidents, that one action to which all else in life--even the birth of her first male-child--is subsidiary and subordinate. She goes to her mate, in shyness and modesty, as to one who for the first time shall make her truly woman. At his touch the whole world changes and the very birds and flowers, the seas, the stars, and the heaven above, put on a different colour and murmur a new music. In a moment the very constitution of her body alters and her limbs take nobler curves and her figure blooms to a new splendour. Her mind and emotions grow: and the dark places which she had feared are seen to be sun-lit and lofty. Marriage is to her more than an incident, however revolutionary. It is rather the foundation of a new life, indeed a new life itself. For her, henceforth, her whole existence is but the one fact of being married. It is her career, her profession, her study, her joy, her everything. She lives no longer in herself but rather as her man’s wife. “Half-body,” the Sanscrit poets say, not untruly of the married woman. In India, even more than in Europe, certainly more than in Northern Europe, marriage is to a woman everything. In early childhood she becomes aware, gradually and almost unconsciously, of the great central facts of nature. She lives in a household in which, along with the earning of daily bread, all talk freely of marriages and the birth of children. When a brother or sister is born, she is not excluded, and no one tells her tales of mysterious storks or cabbages. As she grows older, she hears the stories of Sita, the divine wife, and of Sakuntala, the loved princess: and the glowing winds of spring and the burning sun help to bring her to a quick maturity. Around her she sees her girl friends given in marriage to flower-crowned boy bridegrooms, brought on gold-caparisoned horses with beating of drums and bursting fire-works and much singing to the bridal bower and the sacred fire. She learns of widowhood and the life-long austerities imposed on a woman whose sin-haunted destiny drags her husband to the grave. In the household prayers she sees that her father needs her mother at his side for the due offering of oblations and the completion of the ritual. Of a woman unmarried, not a widow, she never hears and the very notion can hardly frame itself on the mirror of her mind. No wonder that, with her earliest reflections, she bends her thoughts upon the husband that is to come and to be her lord, to whom she will hold herself affianced by the will of God through all the moving cycle of innumerable deaths and existences.